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--- appropriation_in_art_and_culture [2018/04/17 17:14] – [Apr 17, 2018 Digital Condition] fstalder
+++ appropriation_in_art_and_culture [2018/05/02 13:53] – [May 8, 2018 Reinactment as artistic strategy] fstalder
@@ Line 95: / Line 95: @@
 Sonvilla-Weiss, Stefan. 2015. „Good Artists Copy, Great Artists Steal. Reflections on Cut-Copy-Paste Culture“, in: Navas, Eduardo, Owen Gallagher und Xtine Burrough (Hrsg.): The Routledge companion to remix studies, New York: Routledge, Taylor & Francis Group, S. 54–67.
-Stalder, Felix (2009) [https://irights.info/artikel/neun-thesen-zur-remix-kultur/5767 | Neun Thesen zur Remix-Kultur].
+Stalder, Felix (2009) [[https://irights.info/artikel/neun-thesen-zur-remix-kultur/5767 | Neun Thesen zur Remix-Kultur]].
-Fondazione Prada.[[http://www.fondazioneprada.org/project/when-attitudes-become-form/?lang=en| WHEN ATTITUDES BECOME FORM: BERN 1969/VENICE 2013]]
@@ Line 104: / Line 102: @@
 ====== Apr 24, 2018 From Net.art to Meme Culture ======
-[[http://art.teleportacia.org | Olia Liania]], Ausstellung, [[http://www.roehrsboetsch.com/exhibitions/detail/olia-lialina-lossless/about/ | Lossless]] ROEHRS & BOETSCH GALLERY, ZH, 26.4 — 23.6 2018
+[[http://art.teleportacia.org | Olia Liania]], Ausstellung, [[http://www.roehrsboetsch.com/exhibitions/detail/olia-lialina-lossless/about/ | Lossless]] ROEHRS & BOETSCH GALLERY, ZH, 26.4 — 23.6 2018 N
+[[http://www.hek.ch/projekte/net-based-award-2018.html | net-based art award, 2018]]
 [[https://www.britannica.com/topic/meme|Meme (cultural concept]]). Britannica
-Patrick Davison, 2012 [[http://veryinteractive.net/content/4-library/40-the-language-of-internet-memes/davison-thelanguageofinternetmemes.pdf|The Language of Internet Memes]]. from The Social Media Reader edited by Michael Mandiberg, 2012
+Patrick Davison, 2012 [[http://veryinteractive.net/library/the-language-of-internet-memes|The Language of Internet Memes]]. from The Social Media Reader edited by Michael Mandiberg, 2012
+Jackson, Laur M., 2016 [[https://modelviewculture.com/pieces/the-blackness-of-meme-movement | The Blackness of Meme Movement]] modelviewculture.com
 «[[http://www.kunsthallesanktgallen.ch/en/exhibition/the-darknet-in-zusammenarbeit-mit-mediengruppe-bitnik-c280fb8c.html|The Darknet – From Memes to Onionland. An Exploration]]» In cooperation with !Mediengruppe Bitnik and :digital brainstorming18th Kunsthall St. Gallen. October 2014 – 11th January 2015
+[[http://knowyourmeme.com/memes nowyourmeme.com]]
+[[https://vimeo.com/140265561 | The Story of Technoviking]], Matthias Fritsch, 2016, [[https://www.youtube.com/watch?v=-8H4GKg-mYQ | Kneecam No.1]]  Matthias Fritsch, 2000
+[[http://nkhstudio.com/ | Nate Harrison]] Can I Get An Amen?, 2004
@@ Line 120: / Line 126: @@
 ====== May 8, 2018 Reinactment as artistic strategy ======
-Arns, Inke, and Horn Gabriele. 2007. History Will Repeat Itself. Frankfurt a.M.: Revolver, Archiv für aktuelle Kunst.
+Arns, Inke, and Horn Gabriele. 2007. History Will Repeat Itself. Frankfurt a.M.: Revolver, Archiv für aktuelle Kunst
+  * [[http://en.inkearns.de/files/2011/05/HWRI-Arns-Kat-2007-engl.pdf | Curatorial Text]]
+  * [[https://www.hmkv.de/programm/programmpunkte/2007/Ausstellungen/History2007.php | exhibition website]]
 Mike Figgins. The Battle of Ogreave, GB, 2001, 63 Min
+Fondazione Prada.[[http://www.fondazioneprada.org/project/when-attitudes-become-form/?lang=en| WHEN ATTITUDES BECOME FORM: BERN 1969/VENICE 2013]]
 **Student presentation:** Claudia