Both sides previous revision Previous revision Next revision | Previous revision Next revisionBoth sides next revision |
appropriation_in_art_and_culture [2018/04/23 22:43] – [Apr 24, 2018 From Net.art to Meme Culture] fstalder | appropriation_in_art_and_culture [2018/05/02 13:53] – [May 8, 2018 Reinactment as artistic strategy] fstalder |
---|
| |
Stalder, Felix (2009) [[https://irights.info/artikel/neun-thesen-zur-remix-kultur/5767 | Neun Thesen zur Remix-Kultur]]. | Stalder, Felix (2009) [[https://irights.info/artikel/neun-thesen-zur-remix-kultur/5767 | Neun Thesen zur Remix-Kultur]]. |
| |
Fondazione Prada.[[http://www.fondazioneprada.org/project/when-attitudes-become-form/?lang=en| WHEN ATTITUDES BECOME FORM: BERN 1969/VENICE 2013]] | |
| |
| |
====== Apr 24, 2018 From Net.art to Meme Culture ====== | ====== Apr 24, 2018 From Net.art to Meme Culture ====== |
| |
[[http://art.teleportacia.org | Olia Liania]], Ausstellung, [[http://www.roehrsboetsch.com/exhibitions/detail/olia-lialina-lossless/about/ | Lossless]] ROEHRS & BOETSCH GALLERY, ZH, 26.4 — 23.6 2018 | [[http://art.teleportacia.org | Olia Liania]], Ausstellung, [[http://www.roehrsboetsch.com/exhibitions/detail/olia-lialina-lossless/about/ | Lossless]] ROEHRS & BOETSCH GALLERY, ZH, 26.4 — 23.6 2018 N |
| |
| [[http://www.hek.ch/projekte/net-based-award-2018.html | net-based art award, 2018]] |
| |
[[https://www.britannica.com/topic/meme|Meme (cultural concept]]). Britannica | [[https://www.britannica.com/topic/meme|Meme (cultural concept]]). Britannica |
| |
Patrick Davison, 2012 [[http://veryinteractive.net/library/the-language-of-internet-memes|The Language of Internet Memes]]. from The Social Media Reader edited by Michael Mandiberg, 2012 | Patrick Davison, 2012 [[http://veryinteractive.net/library/the-language-of-internet-memes|The Language of Internet Memes]]. from The Social Media Reader edited by Michael Mandiberg, 2012 |
| |
| Jackson, Laur M., 2016 [[https://modelviewculture.com/pieces/the-blackness-of-meme-movement | The Blackness of Meme Movement]] modelviewculture.com |
| |
«[[http://www.kunsthallesanktgallen.ch/en/exhibition/the-darknet-in-zusammenarbeit-mit-mediengruppe-bitnik-c280fb8c.html|The Darknet – From Memes to Onionland. An Exploration]]» In cooperation with !Mediengruppe Bitnik and :digital brainstorming18th Kunsthall St. Gallen. October 2014 – 11th January 2015 | «[[http://www.kunsthallesanktgallen.ch/en/exhibition/the-darknet-in-zusammenarbeit-mit-mediengruppe-bitnik-c280fb8c.html|The Darknet – From Memes to Onionland. An Exploration]]» In cooperation with !Mediengruppe Bitnik and :digital brainstorming18th Kunsthall St. Gallen. October 2014 – 11th January 2015 |
[[https://vimeo.com/140265561 | The Story of Technoviking]], Matthias Fritsch, 2016, [[https://www.youtube.com/watch?v=-8H4GKg-mYQ | Kneecam No.1]] Matthias Fritsch, 2000 | [[https://vimeo.com/140265561 | The Story of Technoviking]], Matthias Fritsch, 2016, [[https://www.youtube.com/watch?v=-8H4GKg-mYQ | Kneecam No.1]] Matthias Fritsch, 2000 |
| |
| [[http://nkhstudio.com/ | Nate Harrison]] Can I Get An Amen?, 2004 |
| |
| |
====== May 8, 2018 Reinactment as artistic strategy ====== | ====== May 8, 2018 Reinactment as artistic strategy ====== |
| |
Arns, Inke, and Horn Gabriele. 2007. History Will Repeat Itself. Frankfurt a.M.: Revolver, Archiv für aktuelle Kunst. | Arns, Inke, and Horn Gabriele. 2007. History Will Repeat Itself. Frankfurt a.M.: Revolver, Archiv für aktuelle Kunst |
| |
| |
| * [[http://en.inkearns.de/files/2011/05/HWRI-Arns-Kat-2007-engl.pdf | Curatorial Text]] |
| * [[https://www.hmkv.de/programm/programmpunkte/2007/Ausstellungen/History2007.php | exhibition website]] |
| |
Mike Figgins. The Battle of Ogreave, GB, 2001, 63 Min | Mike Figgins. The Battle of Ogreave, GB, 2001, 63 Min |
| |
| Fondazione Prada.[[http://www.fondazioneprada.org/project/when-attitudes-become-form/?lang=en| WHEN ATTITUDES BECOME FORM: BERN 1969/VENICE 2013]] |
| |
**Student presentation:** Claudia | **Student presentation:** Claudia |