Differences

This shows you the differences between two versions of the page.

--- art_and_ai._machine_visions [2021/03/01 20:11] – [Tuesday Morning] fstalder
+++ art_and_ai._machine_visions [2021/03/02 08:02] – [Tuesday Morning] fstalder
@@ Line 48: / Line 48: @@
 **Bias in Vision**
-[[https://www.youtube.com/watch?v=YJjv_OeiHmo | The racist soap dispenser]] @ Facebook, 2017
+[[https://www.youtube.com/watch?v=YJjv_OeiHmo| The racist soap dispenser]] @ Facebook, 2017
-[[ https://www.youtube.com/watch?v=d16LNHIEJzs&feature=emb_logo | Color film was built for white people]], 4:39, 2015
+**Colour Bias in Analogue Photography**
+[[https://www.youtube.com/watch?v=d16LNHIEJzs&feature=emb_logo| Color film was built for white people]], 4:39, 2015
 Roth, Lorna. 2009. “[[https://www.cjc-online.ca/index.php/journal/article/view/2196|Looking at Shirley, the Ultimate Norm: Colour Balance, Image Technologies, and Cognitive Equity.]]” Canadian Journal of Communication 34(1).
-* http://colourbalance.lornaroth.com
+* [[http://colourbalance.lornaroth.com]]
 Osinubi, Ade. 2018. “[[https://medium.com/africana-feminisms/the-inherent-color-bias-of-image-capturing-technology-colorism-in-photography-3e1dff554548|The Inherent Color Bias of Image Capturing Technology: Colorism in Photography.]]” Medium.com
+Ewart, Asia. 2020. “[[https://www.shutterstock.com/blog/shirley-card-racial-photographic-bias|The Shirley Card: Racial Photographic Bias through Skin Tone.]]” The Shutterstock Blog (June 30).
 **Joy Buolamwini** The coded gaze
@@ Line 75: / Line 79: @@
   * Eubanks, Virginia. Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor. First Edition. New York, NY: St. Martin’s Press, 2017.
   * Noble, Safiya Umoja. Algorithms of Oppression: How Search Engines Reinforce Racism. New York: New York University Press, 2018