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art_and_ai._machine_visions [2021/03/02 09:47] – [Friday Morning] fstalder | art_and_ai._machine_visions [2021/03/02 22:39] – [Tuesday Afternoon] fstalder |
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**Colour Bias in Analogue Photography** | **Colour Bias in Analogue Photography** |
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| [[https://kimon.hosting.nyu.edu/physical-electrical-digital/items/show/1009|The Shirley Card]] |
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[[https://www.youtube.com/watch?v=d16LNHIEJzs&feature=emb_logo| Color film was built for white people]], 4:39, 2015 | [[https://www.youtube.com/watch?v=d16LNHIEJzs&feature=emb_logo| Color film was built for white people]], 4:39, 2015 |
===== Tuesday Afternoon ===== | ===== Tuesday Afternoon ===== |
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Timnit Gebru: [[https://youtu.be/23MxOh99N54 |Computer Vision: Who is Helped and Who is Harmed?]] (02.2021), 03-46 | Timnit Gebru: [[https://youtu.be/23MxOh99N54?t=197 |Computer Vision: Who is Helped and Who is Harmed?]] (02.2021), 03-46 |
* Watch the talk and note the main points in the pad. | * Watch the talk and note the main points in the pad. |
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| * [[https://twitter.com/BLMPrivacyBot|BLMPrivacyBot]] |
| * Rothkopf, Joshua. 2020. “[[https://www.nytimes.com/2020/07/01/movies/deepfakes-documentary-welcome-to-chechnya.html|Deepfake Technology Enters the Documentary World]].” The New York Times. |
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Trevor Paglen | Trevor Paglen |
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Steyerl, Hito. 2016. “[[https://www.e-flux.com/journal/72/60480/a-sea-of-data-apophenia-and-pattern-mis-recognition/|A Sea of Data: Apophenia and Pattern (Mis-)Recognition.]]” e-flux Journal (april) | Steyerl, Hito. 2016. “[[https://www.e-flux.com/journal/72/60480/a-sea-of-data-apophenia-and-pattern-mis-recognition/|A Sea of Data: Apophenia and Pattern (Mis-)Recognition.]]” e-flux Journal (april) |
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| Salvaggio, Eryk. 2020. “[[https://www.cyberneticforests.com/news/creative-strategies-for-algorithmic-resistance|Creative Strategies for Algorithmic Resistance!]]” Cybernetic Forests (June 29). |
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