Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revisionLast revisionBoth sides next revision | ||
art_and_ai_--_how_machines_think_and_see_ii [2020/04/22 16:09] – fstalder | art_and_ai_--_how_machines_think_and_see_ii [2020/12/14 11:09] – [Course preview] fstalder | ||
---|---|---|---|
Line 1: | Line 1: | ||
===== Course preview ===== | ===== Course preview ===== | ||
- | Artificial intelligence (AI) is all around us, transforming the way we see the world and the world see us. Sometimes, we barely notice, sometimes, the results of AI can be very impressive, though sometimes so impressively bad, that Hito Steyrl and others started to talk about “Artificial Stupidity”. But almost always, the actual procedures of AI remain mysterious, locked away in a black box. | + | Artificial intelligence (AI) is all around us, transforming the way we see the world and the world sees us. Sometimes, we barely notice, sometimes, the results of AI can be very impressive, though sometimes so impressively bad, that Hito Steyrl and others started to talk about “Artificial Stupidity”. But almost always, the actual procedures of AI remain mysterious, locked away in a black box. |
- | In this module, we will look at a recent wave of artistic and theoretical work that tries to open this black box, creating a language and an esthetics | + | In this module, we will look at a recent wave of artistic and theoretical work that tries to open this black box, creating a language and an aesthetics |
We will also use some web-based image recognition systems to get a first-hand impression of the capacities of these technologies as tools for artistic investigation. | We will also use some web-based image recognition systems to get a first-hand impression of the capacities of these technologies as tools for artistic investigation. | ||
Line 86: | Line 86: | ||
More anti-image recognition / urban camouflage fashion projects | More anti-image recognition / urban camouflage fashion projects | ||
* [[https:// | * [[https:// | ||
+ | * [[https:// | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
* [[https:// | * [[https:// | ||
- | * [[http:// | + | * [[http:// |
* [[https:// | * [[https:// | ||
Line 134: | Line 135: | ||
- | ===== Thursday: | + | ===== Thursday: |
- | Guest. [[https:// | + | Guest Marco Spitzbarth talks about how he uses image recognition on his platform. About hidden processes, algorithms, and black boxes. Questions he stumbled over on the way, his research, and technics he uses. The presentation will be held online. |
+ | |||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | |||
+ | **Further Material** | ||
+ | * Hito Steyerl. [[https:// | ||
+ | * Hito Steyerl. [[https:// | ||
+ | |||
+ | ===== Thursday | ||
+ | |||
+ | Down the rabbit hole, let’s find some edge cases, anomalies, strange or misleading output. | ||
+ | - Write in one or two sentences what you were looking for, e.g: How does the output differs if we use the same picture and tweak some colors? | ||
+ | - Make some screenshots of your results. | ||
+ | - Write some words about your research. | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | |||
+ | |||
+ | **The human labor hidden in automation** | ||
+ | |||
+ | * [[https:// | ||
+ | * Benjamin Shaykin [[https:// | ||
+ | |||
+ | **Andrew Norman Wilson** | ||
+ | * [[http:// | ||
+ | * [[http:// | ||
+ | |||
+ | [[https:// | ||