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art_the_paradoxes_of_copyright [2021/10/17 23:02] – [Friday] fstalder@zhdk.ch | art_the_paradoxes_of_copyright [2022/05/24 09:09] – [Thursday Afternoon und Friday morning: Brave new Crypto-World: NFT as Ownership without Copyright] fstalder |
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* [[http://relevancy.bger.ch/php/clir/http/index.php?highlight_docid=atf%3A%2F%2F130-III-714%3Ade&lang=de&type=show_document| Bundesgrichtsurteil: Gisela Blau Guggenheim vs BBC]], 19. April 2004 | * [[http://relevancy.bger.ch/php/clir/http/index.php?highlight_docid=atf%3A%2F%2F130-III-714%3Ade&lang=de&type=show_document| Bundesgrichtsurteil: Gisela Blau Guggenheim vs BBC]], 19. April 2004 |
* [[http://42mm.ch/urheberrechtsgesetz-lichtbildschutz-in-kraft|Lichtbildschutz]], URG Revision, 1. April 2020 (Artikel 2 Abs. 3bis) | * [[http://42mm.ch/urheberrechtsgesetz-lichtbildschutz-in-kraft|Lichtbildschutz]], URG Revision, 1. April 2020 (Artikel 2 Abs. 3bis) |
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| [[https://kunstfreiheit.ch/serendipity/|Kunstfreiheit.ch]] |
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**Reading:** | **Reading:** |
Foucault, Michel. 1998. “What Is an Author.” In Aesthetics, Method, and Epistemology, edited by James D. Faubion, 205–22. Essential Works of Foucault 1954-1984, Vol. 2. New York: New Press. https://www.sas.upenn.edu/~cavitch/pdf-library/Foucault_Author.pdf | Foucault, Michel. 1998. “What Is an Author.” In Aesthetics, Method, and Epistemology, edited by James D. Faubion, 205–22. Essential Works of Foucault 1954-1984, Vol. 2. New York: New Press. https://www.sas.upenn.edu/~cavitch/pdf-library/Foucault_Author.pdf |
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===== Tuesday: Cornelia Sollfrank and the Paradoxes of distributed authorship ===== | ===== Tuesday: Cornelia Sollfrank and the paradoxes of distributed authorship ===== |
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Works: | Works: |
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Harrison, Nate. 2015. “In The Wake of Richard Prince and Instagram, Revisiting Copyright Law, Appropriation and History.” AMERICAN SUBURB X (blog). June 4, 2015. https://americansuburbx.com/2015/06/in-the-wake-of-richard-prince-and-instagram-revisiting-copyright-law-appropriation-and-history.html | Harrison, Nate. 2015. “In The Wake of Richard Prince and Instagram, Revisiting Copyright Law, Appropriation and History.” AMERICAN SUBURB X (blog). June 4, 2015. https://americansuburbx.com/2015/06/in-the-wake-of-richard-prince-and-instagram-revisiting-copyright-law-appropriation-and-history.html |
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| Nate Harrison [[https://nkhstudio.com/pages/popup_amen.html|Can I Get An Amen?]], 2004 |
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Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http://www2.chaux-de-fonds.ch/musees/mba/mba-expositions/mba-a-avenir/Documents/MBA_GUIDE_DE_VISITE_REPLIQUES.pdf|Catalogue]] | Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http://www2.chaux-de-fonds.ch/musees/mba/mba-expositions/mba-a-avenir/Documents/MBA_GUIDE_DE_VISITE_REPLIQUES.pdf|Catalogue]] |
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===== Thursday: Is everything a remix? ===== | ===== Thursday: Beyond Coypright, I ===== |
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| Free Licences and Commons |
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| * [[https://www.gnu.org/licenses/gpl-3.0.en.html|GNU GPL]] and the [[https://www.gnu.org/philosophy/free-sw.html.en|four freedoms]] |
| * [[https://artlibre.org/licence/lal/en/|Free Art Licence]] |
| * [[https://creativecommons.org/|Creative Commons]] |
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| Sollfrank, Cornelia, Felix Stalder, and Shusha Niederberger, eds. 2021. Aesthetics of the Commons. Zurich / Berlin: Diaphanes. Read: Introduction: p. 11 - 33 https://www.diaphanes.net/titel/aesthetics-of-the-commons-6419 |
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| [[https://www.furtherfield.org/|Furtherfield]] |
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Nate Harrison [[https://nkhstudio.com/pages/popup_amen.html|Can I Get An Amen?]], 2004 | |
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Kirb Filby [[https://www.everythingisaremix.info/|Everything is a Remix]], Video Series | <del>Kirb Filby [[https://www.everythingisaremix.info/|Everything is a Remix]], Video Series |
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Sonvilla-Weiss, Stefan. 2015. “Good Artists Copy, Great Artists Steal. Reflections on Cut-Copy-Paste Culture.” In The Routledge Companion to Remix Studies, edited by Eduardo Navas, Owen Gallagher, and Xtine Burrough, 54–67. New York: Routledge, Taylor & Francis Group. | Sonvilla-Weiss, Stefan. 2015. “Good Artists Copy, Great Artists Steal. Reflections on Cut-Copy-Paste Culture.” In The Routledge Companion to Remix Studies, edited by Eduardo Navas, Owen Gallagher, and Xtine Burrough, 54–67. New York: Routledge, Taylor & Francis Group. |
{{ ::sonvilla-weiss_2015_good_artists_copy_great_artists_steal.pdf |PDF}} | {{ ::sonvilla-weiss_2015_good_artists_copy_great_artists_steal.pdf |PDF}} |
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Stalder, Felix. 2009. “9 Thesen Zur Remix Kultur.” Irights.Info, June 2009. https://irights.info/wp-content/uploads/fileadmin/texte/material/Stalder_Remixing.pdf | |
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| Stalder, Felix. 2009. “9 Thesen Zur Remix Kultur.” Irights.Info, June 2009. https://irights.info/wp-content/uploads/fileadmin/texte/material/Stalder_Remixing.pdf</del> |
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===== Thursday Afternoon und Friday morning: Brave new Crytpo-Workd: NTF as Ownership without copyright ===== | |
| ===== Thursday Afternoon und Friday morning: Brave new Crypto-World: NFT as Ownership without Copyright ===== |
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| Catlow, Ruth, Marc Garrett, Nathan Jones, and Sam Skinner, eds. 2017. Artists Re:Thinking the Blockchain. England] : [London: Torque Editions ; Furtherfield.{{ :catlow_intro.pdf |Intro: PDF}} |
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What is an NFT | What is an NFT |
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NFT Market Place | Major NFT Market Places |
* https://niftygateway.com/ | * https://niftygateway.com/ |
| * https://opensea.io/ |
| * https://superrare.co/ |
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On the difference between contract (coin) and artwork | On the difference between contract (coin) and artwork |
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**The even more, and differently twisted case of Beeple** | **The even more, and differently twisted case of Beeple** |
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* https://amycastor.com/2021/03/14/metakovan-the-mystery-beeple-art-buyer-and-his-nft-defi-scheme/ | * https://amycastor.com/2021/03/14/metakovan-the-mystery-beeple-art-buyer-and-his-nft-defi-scheme/ |
* https://twitter.com/jonty/status/1372163423446917122 | * https://twitter.com/jonty/status/1372163423446917122 |
| * Comparable Case with Damian Hirst's "For the Love of God" (2007). http://badatsports.com/2007/hirst-reported-as-major-investor-in-the-purchase-of-his-own-diamond-skull/ |
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How Crypto Art Might Offer Artists Increased Autonomy | How Crypto Art Might Offer Artists Increased Autonomy |
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https://hyperallergic.com/626274/nft-crypto-art-artist-autonomy/ | https://hyperallergic.com/626274/nft-crypto-art-artist-autonomy/ |
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| Terra0, Two Degrees NFT, 2021 |
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| https://terra0.medium.com/two-degrees-nft-5af1263bfcc |
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| Adi Wagenknecht & Matt Dryhust. 2021 A guide to ecofriendly CryptoArt (NFTs) |
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| https://github.com/memo/eco-nft |
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Financialization of Art | Financialization of Art |
https://www.masterworks.io/ | https://www.masterworks.io/ |
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Introduction: Ruth Catlow and Furtherfield | |
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Catlow, Ruth, Marc Garrett, Nathan Jones, and Sam Skinner, eds. 2017. Artists Re:Thinking the Blockchain. England] : [London: Torque Editions ; Furtherfield. | |
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**Zoom Conversation** | **Zoom Conversation** |