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- | **Z-Modul Kunst + Künstliche Intelligenz | + | ===== Z-Modul Kunst + Künstliche Intelligenz |
- | Datum: | + | Montag 31. August bis Freitag 11. September, 2020, Projektraum: |
- | Ort: Projektraum: | + | **Lecturers ** |
- | Dozenten: | + | Andreas Kohli. DKV BA Art Education || Felix Stalder, DFA BA Fine Arts || Olivier Pasquet, DMU Wissenschaftlicher Mitarbeiter ICST || René Bauer, DDE Leitung MA Game Design, Game Lab |
- | **Seeing Machines Seeing** | + | **Guests** |
+ | |||
+ | Gian-Marco Hutter, ETH Zürich / ICST || Heather Barnett. Pathway Leader on the MA Art and Science UAL || Joëlle Bitton, Lecturer Interaction Design || Manuel Fritsche, ETH Zürich / ICST || Nuria Krämer, Deputy Head of Transcultural Collaboration || Stella Speziali, Research Associate Immersive Arts Space | ||
+ | |||
+ | **General Resources for the Module ** | ||
+ | |||
+ | [[https:// | ||
+ | |||
+ | [[https:// | ||
+ | |||
+ | [[https:// | ||
+ | |||
+ | ==== My Input ==== | ||
+ | |||
+ | |||
+ | === Watching Machines See === | ||
* !Mediengruppe Bitnik [[https:// | * !Mediengruppe Bitnik [[https:// | ||
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* !Mediengruppe Bitnik! [[https:// | * !Mediengruppe Bitnik! [[https:// | ||
- | **Boundaries between human and the non-human** | ||
- | Latour, Bruno. 1989. “The Moral Dilemmas of a Safety-Belt.” Translated by Lydia Davis. Traduction Inédite En Anglais. [[https:// | + | === Boundaries between human and the non-human === |
- | Dvorsky, George. 2013. “Freakishly Realistic Telemarketing Robots Are Denying They’re Robots.” Io9.Gizmodo.Com (Dec. 12). 2013. [[https://io9.gizmodo.com/freakishly-realistic-telemarketing-robots-are-denying-t-1481050295]]. | + | Latour, Bruno. 1989. [[https://courses.ischool.berkeley.edu/i290-tpl/ |
- | Dvorsky, George. 2013. “Robot-Denying | + | Dvorsky, George. 2013.[[https:// |
+ | |||
+ | Dvorsky, George. 2013. [[https:// | ||
MTurk: “artificial artificial intelligence" | MTurk: “artificial artificial intelligence" | ||
- | Hitlin, Paul. 2016. “Research in the Crowdsourcing Age, a Case Study.” Pew Research Center (July). [[http:// | + | Hitlin, Paul. 2016. [[http:// |
+ | |||
+ | Crockett, Zachary. 2019. [[https:// | ||
- | Crockett, Zachary. 2019. “How Much Money Can You Make on Amazon Mechanical Turk?” The Hustle (July 13). 2019. [[https:// | ||
- | **Authorship, Copyright and AI** | + | === Authorship, Copyright and AI === |
Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10' | Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10' | ||
* [[https:// | * [[https:// | ||
- | * [[__robbiebarrat.github.io|Robbie Barrat]]__ | + | * [[http:// |
- | * Vincent, James. 2018. “How Three French Students Used Borrowed Code to Put the First AI Portrait in Christie’s.” The Verge. (October 23). [[https:// | + | * Vincent, James. 2018. [[https:// |
- | * Christie’s. 2018. “The First Piece of AI-Generated Art to Come to Auction | Christie’s.” | + | * Christie’s. 2018. [[https:// |
- | * Boddington, Ruby. 2020. “‘These Are Important Visual Moments’: Artist Robbie Barrat Pushes, Tests and Breaks AI in His Works.” It’s Nice That (February 24). 2020. [[https:// | + | * Boddington, Ruby. 2020. [[https:// |
- | * | + | |
- | Cornelia Sollfrank: | + | Cornelia Sollfrank: |
- | * Legal Perspective, | + | * [[http:// |
- | * Stalder, Felix. 2014. “Urheberrecht - Wenn Das Recht Kunstfeindlich Wird.” // | + | * Stalder, Felix. 2014. [[https:// |