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kunst_kuenstliche_intelligenz [2020/08/30 15:29] – fstalder | kunst_kuenstliche_intelligenz [2020/09/01 09:41] (current) – [My Input] fstalder | ||
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**Lecturers ** | **Lecturers ** | ||
- | Andreas Kohli. DKV BA Art Education | + | Andreas Kohli. DKV BA Art Education |
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- | Felix Stalder, DFA BA Fine Arts | + | |
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- | Olivier Pasquet, DMU Wissenschaftlicher Mitarbeiter ICST | + | |
- | + | ||
- | René Bauer, DDE Leitung MA Game Design, Game Lab | + | |
**Guests** | **Guests** | ||
- | Gian-Marco Hutter, ETH Zürich / ICST | + | Gian-Marco Hutter, ETH Zürich / ICST || Heather Barnett. Pathway Leader on the MA Art and Science UAL || Joëlle Bitton, Lecturer Interaction Design || Manuel Fritsche, ETH Zürich / ICST || Nuria Krämer, Deputy Head of Transcultural Collaboration || Stella Speziali, Research Associate Immersive Arts Space |
- | Heather Barnett. Pathway Leader on the MA Art and Science UAL | + | **General Resources for the Module ** |
- | Joëlle Bitton, Lecturer Interaction Design | + | [[https:// |
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- | Manuel Fritsche, ETH Zürich / ICST | + | |
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- | Nuria Krämer, Deputy Head of Transcultural Collaboration | + | |
- | + | ||
- | Stella Speziali, Research Associate Immersive Arts Space | + | |
- | + | ||
- | **General Resources** | + | |
- | + | ||
- | [[https:// | + | |
[[https:// | [[https:// | ||
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[[https:// | [[https:// | ||
- | ===== My Input ===== | + | ==== My Input ==== |
- | **Seeing | + | |
+ | === Watching | ||
* !Mediengruppe Bitnik [[https:// | * !Mediengruppe Bitnik [[https:// | ||
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* !Mediengruppe Bitnik! [[https:// | * !Mediengruppe Bitnik! [[https:// | ||
- | **Boundaries between human and the non-human** | ||
- | Latour, Bruno. 1989. “The Moral Dilemmas of a Safety-Belt.” Translated by Lydia Davis. Traduction Inédite En Anglais. [[https:// | + | === Boundaries between human and the non-human === |
- | Dvorsky, George. 2013. “Freakishly Realistic Telemarketing Robots Are Denying They’re Robots.” Io9.Gizmodo.Com (Dec. 12). 2013. [[https://io9.gizmodo.com/freakishly-realistic-telemarketing-robots-are-denying-t-1481050295]]. | + | Latour, Bruno. 1989. [[https://courses.ischool.berkeley.edu/i290-tpl/ |
- | Dvorsky, George. 2013. “Robot-Denying | + | Dvorsky, George. 2013.[[https:// |
+ | |||
+ | Dvorsky, George. 2013. [[https:// | ||
MTurk: “artificial artificial intelligence" | MTurk: “artificial artificial intelligence" | ||
- | Hitlin, Paul. 2016. “Research in the Crowdsourcing Age, a Case Study.” Pew Research Center (July). [[http:// | + | Hitlin, Paul. 2016. [[http:// |
+ | |||
+ | Crockett, Zachary. 2019. [[https:// | ||
- | Crockett, Zachary. 2019. “How Much Money Can You Make on Amazon Mechanical Turk?” The Hustle (July 13). 2019. [[https:// | ||
- | **Authorship, Copyright and AI** | + | === Authorship, Copyright and AI === |
Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10' | Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10' | ||
* [[https:// | * [[https:// | ||
- | * [[__robbiebarrat.github.io|Robbie Barrat]]__ | + | * [[http:// |
- | * Vincent, James. 2018. “How Three French Students Used Borrowed Code to Put the First AI Portrait in Christie’s.” The Verge. (October 23). [[https:// | + | * Vincent, James. 2018. [[https:// |
- | * Christie’s. 2018. “The First Piece of AI-Generated Art to Come to Auction | Christie’s.” | + | * Christie’s. 2018. [[https:// |
- | * Boddington, Ruby. 2020. “‘These Are Important Visual Moments’: Artist Robbie Barrat Pushes, Tests and Breaks AI in His Works.” It’s Nice That (February 24). 2020. [[https:// | + | * Boddington, Ruby. 2020. [[https:// |
- | * | + | |
- | Cornelia Sollfrank: | + | Cornelia Sollfrank: |
- | * Legal Perspective, | + | * [[http:// |
- | * Stalder, Felix. | + | * Stalder, Felix. 2014. [[https:// |