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kunst_kuenstliche_intelligenz [2020/08/30 15:34] – fstalder | kunst_kuenstliche_intelligenz [2020/09/01 09:41] (current) – [My Input] fstalder |
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**Lecturers ** | **Lecturers ** |
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Andreas Kohli. DKV BA Art Education | Andreas Kohli. DKV BA Art Education || Felix Stalder, DFA BA Fine Arts || Olivier Pasquet, DMU Wissenschaftlicher Mitarbeiter ICST || René Bauer, DDE Leitung MA Game Design, Game Lab |
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Felix Stalder, DFA BA Fine Arts | |
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Olivier Pasquet, DMU Wissenschaftlicher Mitarbeiter ICST | |
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René Bauer, DDE Leitung MA Game Design, Game Lab | |
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**Guests** | **Guests** |
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Gian-Marco Hutter, ETH Zürich / ICST | Gian-Marco Hutter, ETH Zürich / ICST || Heather Barnett. Pathway Leader on the MA Art and Science UAL || Joëlle Bitton, Lecturer Interaction Design || Manuel Fritsche, ETH Zürich / ICST || Nuria Krämer, Deputy Head of Transcultural Collaboration || Stella Speziali, Research Associate Immersive Arts Space |
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Heather Barnett. Pathway Leader on the MA Art and Science UAL | **General Resources for the Module ** |
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Joëlle Bitton, Lecturer Interaction Design | [[https://blog.zhdk.ch/artai/|Blog]] |
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Manuel Fritsche, ETH Zürich / ICST | |
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Nuria Krämer, Deputy Head of Transcultural Collaboration | |
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Stella Speziali, Research Associate Immersive Arts Space | |
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**General Resources** | |
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[[https://blog.zhdk.ch/artai/|Blog]]. | |
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[[https://www.ixistenz.ch/index.php?diff=2415|ixistenz.ch]] | [[https://www.ixistenz.ch/index.php?diff=2415|ixistenz.ch]] |
[[https://paul.zhdk.ch/mod/folder/view.php?id=21907|Literature on Paul]] | [[https://paul.zhdk.ch/mod/folder/view.php?id=21907|Literature on Paul]] |
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===== My Input ===== | ==== My Input ==== |
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**Seeing Machines Seeing** | |
| === Watching Machines See === |
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* !Mediengruppe Bitnik [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/samesame/|SAME SAME. WATCHING ALGORITHMS - CABARET VOLTAIRE EDITION]] 2015 | * !Mediengruppe Bitnik [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/samesame/|SAME SAME. WATCHING ALGORITHMS - CABARET VOLTAIRE EDITION]] 2015 |
* !Mediengruppe Bitnik! [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/sor/|Dada. State of the Reference]], 2017 | * !Mediengruppe Bitnik! [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/sor/|Dada. State of the Reference]], 2017 |
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**Boundaries between human and the non-human** | |
| === Boundaries between human and the non-human === |
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Latour, Bruno. 1989. [[https://courses.ischool.berkeley.edu/i290-tpl/s11/w/images/6/69/The_Moral_Dilemmas_of_a_Safety-belt.pdf|“The Moral Dilemmas of a Safety-Belt.”]] Translated by Lydia Davis. Traduction Inédite En Anglais. | Latour, Bruno. 1989. [[https://courses.ischool.berkeley.edu/i290-tpl/s11/w/images/6/69/The_Moral_Dilemmas_of_a_Safety-belt.pdf|“The Moral Dilemmas of a Safety-Belt.”]] Translated by Lydia Davis. Traduction Inédite En Anglais. |
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Dvorsky, George. 2013.[[https://io9.gizmodo.com/freakishly-realistic-telemarketing-robots-are-denying-t-1481050295| “Freakishly Realistic Telemarketing Robots Are Denying They’re Robots.”]]. Io9.Gizmodo.Com (Dec. 12). 2013. | Dvorsky, George. 2013.[[https://io9.gizmodo.com/freakishly-realistic-telemarketing-robots-are-denying-t-1481050295| “Freakishly Realistic Telemarketing Robots Are Denying They’re Robots.”]]. Io9.Gizmodo.Com (Dec. 12). 2013. |
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Dvorsky, George. 2013. [[https://io9.gizmodo.com/robot-denying-telemarketing-robot-may-not-actually-be-a-1485617146|“Robot-Denying Telemarketing Robot May Not Actually Be a Robot.”]] Io9.Gizmodo.Com (Dec. 18). 2013. | Dvorsky, George. 2013. [[https://io9.gizmodo.com/robot-denying-telemarketing-robot-may-not-actually-be-a-1485617146|“Robot-Denying Telemarketing Robot May Not Actually Be a Robot.”]] Io9.Gizmodo.Com (Dec. 18). 2013. |
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MTurk: “artificial artificial intelligence" (Jeff Bezos) | MTurk: “artificial artificial intelligence" (Jeff Bezos) |
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Hitlin, Paul. 2016. [[http://www.pewinternet.org/2016/07/11/research-in-the-crowdsourcing-age-a-case-study|“Research in the Crowdsourcing Age, a Case Study.”]] Pew Research Center (July). | Hitlin, Paul. 2016. [[http://www.pewinternet.org/2016/07/11/research-in-the-crowdsourcing-age-a-case-study|“Research in the Crowdsourcing Age, a Case Study.”]] Pew Research Center (July). |
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Crockett, Zachary. 2019. [[https://thehustle.co/making-money-on-amazon-mechanical-turk|“How Much Money Can You Make on Amazon Mechanical Turk?”]] The Hustle (July 13). 2019. | Crockett, Zachary. 2019. [[https://thehustle.co/making-money-on-amazon-mechanical-turk|“How Much Money Can You Make on Amazon Mechanical Turk?”]] The Hustle (July 13). 2019. |
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**Authorship, Copyright and AI** | |
| === Authorship, Copyright and AI === |
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Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10'000) | Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10'000) |
* [[http://robbiebarrat.github.io|Robbie Barrat]] | * [[http://robbiebarrat.github.io|Robbie Barrat]] |
* Vincent, James. 2018. [[https://www.theverge.com/2018/10/23/18013190/ai-art-portrait-auction-christies-belamy-obvious-robbie-barrat-gans|“How Three French Students Used Borrowed Code to Put the First AI Portrait in Christie’s.”]] The Verge. (October 23). | * Vincent, James. 2018. [[https://www.theverge.com/2018/10/23/18013190/ai-art-portrait-auction-christies-belamy-obvious-robbie-barrat-gans|“How Three French Students Used Borrowed Code to Put the First AI Portrait in Christie’s.”]] The Verge. (October 23). |
* Christie’s. 2018. [[https://www.christies.com/features/A-collaboration-between-two-artists-one-human-one-a-machine-9332-1.aspx|“The First Piece of AI-Generated Art to Come to Auctio]] Christie’s.” Christies.Com (Dec. 12). 2018. | * Christie’s. 2018. [[https://www.christies.com/features/A-collaboration-between-two-artists-one-human-one-a-machine-9332-1.aspx|“The First Piece of AI-Generated Art to Come to Auctio]] Christie’s.” Christies.Com (Dec. 12). |
* Boddington, Ruby. 2020. [[https://www.itsnicethat.com/features/ones-to-watch-2020-robbie-barrat-digital-240220|“‘These Are Important Visual Moments’: Artist Robbie Barrat Pushes, Tests and Breaks AI in His Works.”]] It’s Nice That (February 24). 2020. | * Boddington, Ruby. 2020. [[https://www.itsnicethat.com/features/ones-to-watch-2020-robbie-barrat-digital-240220|“‘These Are Important Visual Moments’: Artist Robbie Barrat Pushes, Tests and Breaks AI in His Works.”]] It’s Nice That (February 24). |
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| Cornelia Sollfrank: [[http://net.art-generator.com|Net.Art Generator]] Smart Artists make the machine do the work, since 1997 |
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Cornelia Sollfrank: | * [[http://artwarez.org/19.0.html|Legal Perspective]], 2004, Plug-in Basel |
[[http://net.art-generator.com|Net.Art Generator]] Smart Artists make the machine do the work, since 1997 | * Stalder, Felix. 2014. [[https://www.artlog.net/de/kunstbulletin-1-2-2014/urheberrecht-wenn-das-recht-kunstfeindlich-wird|“Urheberrecht - Wenn das Recht kunstfeindlich wird.”]] //Kunstbulletin//, 2014. |
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* Legal Perspective, Plug-in Basel | |
* Stalder, Felix. 2014. [[https://www.artlog.net/de/kunstbulletin-1-2-2014/urheberrecht-wenn-das-recht-kunstfeindlich-wird|“Urheberrecht - Wenn Das Recht Kunstfeindlich Wird.”]] //Kunstbulletin//, 2014. | |
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