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| art_ai:breaking_the_mold_of_normalization [2026/04/12 14:09] – [Monday] fstalder@zhdk.ch | art_ai:breaking_the_mold_of_normalization [2026/04/20 15:35] (current) – [Friday] fstalder@zhdk.ch | ||
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| * Group 1: Stalder, Felix. 2025. “Das Generative der Künstlichen Intelligenz.” Geschichte der Gegenwart, January 19. https:// | * Group 1: Stalder, Felix. 2025. “Das Generative der Künstlichen Intelligenz.” Geschichte der Gegenwart, January 19. https:// | ||
| * Group 2: Bender, Emily M., Timnit Gebru, Angelina McMillan-Major, | * Group 2: Bender, Emily M., Timnit Gebru, Angelina McMillan-Major, | ||
| + | * Group 3: Steyerl, Hito. 2023. “Mean Images.” New Left Review, no. 140/141 (April): 82–97. ([[https:// | ||
| + | |||
| ** | ** | ||
| Positions in Art Schools** | Positions in Art Schools** | ||
| Line 33: | Line 35: | ||
| * Official Position: " | * Official Position: " | ||
| + | * Morzateum Salzburg: Lehren und lernen mit KI, https:// | ||
| **Oberlin College** ([[https:// | **Oberlin College** ([[https:// | ||
| * Official Position [[https:// | * Official Position [[https:// | ||
| - | * [[https:// | + | * [[https:// |
| * Kate Martin. [[https:// | * Kate Martin. [[https:// | ||
| Line 59: | Line 62: | ||
| * Knowing Machines [[https:// | * Knowing Machines [[https:// | ||
| - | * Adam Harvey [[https:// | + | * Adam Harvey [[https:// |
| * Mediengruppe Bitnik (2017) [[https:// | * Mediengruppe Bitnik (2017) [[https:// | ||
| Line 73: | Line 76: | ||
| * Reinforcement Learning | * Reinforcement Learning | ||
| - | === Group Work === | + | === Group Work, part 1 === |
| - | What do we want from AI at an Art School? | + | **What do we want from AI at an Art School?** |
| - | Write a first statement, short and manifesto style, using any tools you like. | + | Brain-storming session, list with as many possible points as you think of, not all of them need to be included in the next version. |
| ===== Wednesday ===== | ===== Wednesday ===== | ||
| Line 89: | Line 92: | ||
| * Anderson, Barrett R., Jash Hemant Shah, and Max Kreminski. 2024. “Homogenization Effects of Large Language Models on Human Creative Ideation.” Creativity and Cognition, June 23, 413–25. https:// | * Anderson, Barrett R., Jash Hemant Shah, and Max Kreminski. 2024. “Homogenization Effects of Large Language Models on Human Creative Ideation.” Creativity and Cognition, June 23, 413–25. https:// | ||
| * Shaw, Steven D., and Gideon Nave. 2026. “[[https:// | * Shaw, Steven D., and Gideon Nave. 2026. “[[https:// | ||
| + | * Creation is Collective. In: Herndon, Holly, and Mat Dryhurst. 2024. //All Media Is Training Data//. Edited by Eva Jäger and Caroline Busta. Serpentine. p. 92/93 | ||
| + | === Group Work, part 2 === | ||
| - | === Lateral Thinking === | + | **What do we want from AI at an Art School?** |
| - | " | + | |
| - | + | ||
| - | Oblique Strategies, by Peter Schmidt Brian Eno, 1975 | + | |
| - | + | ||
| - | + | ||
| - | === Group Work, cont. === | + | |
| - | + | ||
| - | What do we want from AI at an Art School? | + | |
| - | Rework Statement with Oblique Strategies | + | Choose the points you agree, and write a statement, you can use any tools you like, but in the end, it's your statement. |
| ===== Thursday ===== | ===== Thursday ===== | ||
| - | **Start at 11:00, lunch break at 13.30, end at 19:00** | + | **Start at 10:30, lunch break at 13:00, end at 19:00** |
| === Sources of Normalization, | === Sources of Normalization, | ||
| Line 119: | Line 116: | ||
| * Gillespie, Tarleton. Custodians of the internet: platforms, content moderation, and the hidden decisions that shape social media. New Haven: Yale University Press, 2018. | * Gillespie, Tarleton. Custodians of the internet: platforms, content moderation, and the hidden decisions that shape social media. New Haven: Yale University Press, 2018. | ||
| * Gray, Mary L., und Siddharth Suri. Ghost work: how to stop Silicon Valley from building a new global underclass. Boston: Houghton Mifflin Harcourt, 2019. (read [[http:// | * Gray, Mary L., und Siddharth Suri. Ghost work: how to stop Silicon Valley from building a new global underclass. Boston: Houghton Mifflin Harcourt, 2019. (read [[http:// | ||
| + | |||
| + | |||
| + | === Lateral Thinking === | ||
| + | " | ||
| + | |||
| + | Oblique Strategies, by Peter Schmidt Brian Eno, 1975 | ||
| + | * Brian Eno. How to Beat Creative Block. https:// | ||
| + | * Brian Eno. On Being Alert. https:// | ||
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| + | |||
| + | |||
| + | === Group Work, part 3 === | ||
| + | |||
| + | Draw five cards from the deck, chose the one most productive for you and revise the statement following the strategy chosen. | ||
| + | |||
| — Kino Toni | — Kino Toni | ||
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| Ab 17:30 Uhr sind Tobias Fueter und Boris Eldagsen «zu Gast bei Cast». An unserem Panel «Bilder aus dem Prompt: KI zwischen Markt, Kunst und Verantwortung» treffen die zwei profilierten, | Ab 17:30 Uhr sind Tobias Fueter und Boris Eldagsen «zu Gast bei Cast». An unserem Panel «Bilder aus dem Prompt: KI zwischen Markt, Kunst und Verantwortung» treffen die zwei profilierten, | ||
| - | Weitere Informationen: https:// | + | More information: https:// |
| Line 149: | Line 161: | ||
| https:// | https:// | ||
| - | === Group Work, cont. === | + | === Group Work, part 4 === |
| - | What do we want from AI at an Art School? | + | **What do we want from AI at an Art School? |
| Finish and presentation. | Finish and presentation. | ||
| **Feedback & End** | **Feedback & End** | ||
| + | |||
| + | **Additional Information** | ||
| + | |||
| + | IEA (2025), [[https:// | ||
| + | * 2.0 Understanding the energy-AI nexus | ||
| + | * 3.0 Energy demand from AI | ||
| + | * 4.0 Energy supply for AI | ||
| + | |||
| + | [[https:// | ||
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| + | Ben Jordan // | ||