art_ai:breaking_the_mold_of_normalization

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision
Previous revision
art_ai:breaking_the_mold_of_normalization [2026/04/12 14:17] fstalder@zhdk.chart_ai:breaking_the_mold_of_normalization [2026/04/20 15:35] (current) – [Friday] fstalder@zhdk.ch
Line 27: Line 27:
   * Group 1: Stalder, Felix. 2025. “Das Gene­ra­tive der Künst­li­chen Intelligenz.” Geschichte der Gegenwart, January 19. https://geschichtedergegenwart.ch/das-generative-der-kuenstlichen-intelligenz/   * Group 1: Stalder, Felix. 2025. “Das Gene­ra­tive der Künst­li­chen Intelligenz.” Geschichte der Gegenwart, January 19. https://geschichtedergegenwart.ch/das-generative-der-kuenstlichen-intelligenz/
   * Group 2: Bender, Emily M., Timnit Gebru, Angelina McMillan-Major, and Shmargaret Shmitchell. 2021. “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big? 🦜.” Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency, March 3, 610–23. https://doi.org/10.1145/3442188.3445922.   * Group 2: Bender, Emily M., Timnit Gebru, Angelina McMillan-Major, and Shmargaret Shmitchell. 2021. “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big? 🦜.” Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency, March 3, 610–23. https://doi.org/10.1145/3442188.3445922.
 +  * Group 3: Steyerl, Hito. 2023. “Mean Images.” New Left Review, no. 140/141 (April): 82–97. ([[https://paul.zhdk.ch/pluginfile.php/334456/mod_folder/content/0/Steyerl_2023_Mean%20Images.pdf?forcedownload=1|PDF in Paul]])
 +
 ** **
 Positions in Art Schools** Positions in Art Schools**
Line 33: Line 35:
  
   * Official Position: "Critical Curiosity" https://www.zhdk.ch/en/ki   * Official Position: "Critical Curiosity" https://www.zhdk.ch/en/ki
 +  * Morzateum Salzburg: Lehren und lernen mit KI, https://www.moz.ac.at/de/studium/service-support/lehren-und-lernen-mit-ki
  
 **Oberlin College** ([[https://en.wikipedia.org/wiki/Oberlin_College|WP]], [[https://www.oberlin.edu/admissions-and-aid/tuition-and-fees|Tuition]]) **Oberlin College** ([[https://en.wikipedia.org/wiki/Oberlin_College|WP]], [[https://www.oberlin.edu/admissions-and-aid/tuition-and-fees|Tuition]])
  
   * Official Position [[https://www.oberlin.edu/ai|"2025-26: A Year of AI Exploration"]]   * Official Position [[https://www.oberlin.edu/ai|"2025-26: A Year of AI Exploration"]]
-  * [[https://oberlinreview.org/35718/opinions/luddite-club-implores-oberlin-to-opt-out-of-ai/|Luddite Club Implores Oberlin to Opt Out of AI]Oberlin Review, September 19, 2025, [[https://x.com/RemmeltE/status/2036999400619466888|X]]+  * [[https://oberlinreview.org/35718/opinions/luddite-club-implores-oberlin-to-opt-out-of-ai/|Luddite Club Implores Oberlin to Opt Out of AI]] Oberlin Review, September 19, 2025, [[https://x.com/RemmeltE/status/2036999400619466888|X]]
   * Kate Martin. [[https://oberlinreview.org/36055/opinions/if-oberlin-wont-stand-up-against-ai-who-will/|If Oberlin Won’t Stand Up Against AI, Who Will?]], Oberlin Review  October 10, 2025   * Kate Martin. [[https://oberlinreview.org/36055/opinions/if-oberlin-wont-stand-up-against-ai-who-will/|If Oberlin Won’t Stand Up Against AI, Who Will?]], Oberlin Review  October 10, 2025
  
Line 59: Line 62:
  
   * Knowing Machines [[https://knowingmachines.org/models-all-the-way|Analysis of the LAION-5B Data Set]]   * Knowing Machines [[https://knowingmachines.org/models-all-the-way|Analysis of the LAION-5B Data Set]]
-  * Adam Harvey [[https://exposing.ai|Exposion.ai]]+  * Adam Harvey [[https://exposing.ai|Exposing.ai]]
  
   * Mediengruppe Bitnik (2017) [[https://wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww.bitnik.org/sor/|State of Reference]]    * Mediengruppe Bitnik (2017) [[https://wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww.bitnik.org/sor/|State of Reference]] 
Line 77: Line 80:
 **What do we want from AI at an Art School?** **What do we want from AI at an Art School?**
  
-Brain-storming session, list with as many possible points as you think og, not all of them need to be included in the next version.+Brain-storming session, list with as many possible points as you think of, not all of them need to be included in the next version.
  
 ===== Wednesday ===== ===== Wednesday =====
Line 89: Line 92:
   * Anderson, Barrett R., Jash Hemant Shah, and Max Kreminski. 2024. “Homogenization Effects of Large Language Models on Human Creative Ideation.” Creativity and Cognition, June 23, 413–25. https://doi.org/10.1145/3635636.3656204.   * Anderson, Barrett R., Jash Hemant Shah, and Max Kreminski. 2024. “Homogenization Effects of Large Language Models on Human Creative Ideation.” Creativity and Cognition, June 23, 413–25. https://doi.org/10.1145/3635636.3656204.
   * Shaw, Steven D., and Gideon Nave. 2026. “[[https://doi.org/10.31234/osf.io/yk25n_v1|Thinking—Fast, Slow, and Artificial: How AI Is Reshaping Human Reasoning and the Rise of Cognitive Surrender]].” Preprint, PsyArXiv, January 12.   * Shaw, Steven D., and Gideon Nave. 2026. “[[https://doi.org/10.31234/osf.io/yk25n_v1|Thinking—Fast, Slow, and Artificial: How AI Is Reshaping Human Reasoning and the Rise of Cognitive Surrender]].” Preprint, PsyArXiv, January 12.
 +  * Creation is Collective. In: Herndon, Holly, and Mat Dryhurst. 2024. //All Media Is Training Data//. Edited by Eva Jäger and Caroline Busta. Serpentine. p. 92/93
  
  
Line 99: Line 103:
 ===== Thursday ===== ===== Thursday =====
  
-**Start at 11:00, lunch break at 13:00, end at 19:00**+**Start at 10:30, lunch break at 13:00, end at 19:00**
  
 === Sources of Normalization, cont === === Sources of Normalization, cont ===
Line 118: Line 122:
  
 Oblique Strategies, by Peter Schmidt Brian Eno, 1975 Oblique Strategies, by Peter Schmidt Brian Eno, 1975
 +  * Brian Eno. How to Beat Creative Block. https://youtu.be/tURRSJ-q4bg
 +  * Brian Eno. On Being Alert. https://youtu.be/HyprPnn0rHg
  
-=== Group Work, part three ===+ 
 + 
 +=== Group Work, part ===
  
 Draw five cards from the deck, chose the one most productive for you and revise the statement following the strategy chosen. Draw five cards from the deck, chose the one most productive for you and revise the statement following the strategy chosen.
Line 153: Line 161:
 https://thefilmverdict.com/about-a-hero/ https://thefilmverdict.com/about-a-hero/
  
-=== Group Work, part four. ===+=== Group Work, part ===
  
 **What do we want from AI at an Art School? ** **What do we want from AI at an Art School? **
Line 160: Line 168:
  
 **Feedback & End** **Feedback & End**
 +
 +**Additional Information**
 +
 +IEA (2025), [[https://www.iea.org/reports/energy-and-ai|Energy and AI]], IEA, Paris 
 +  * 2.0 Understanding the energy-AI nexus
 +  * 3.0 Energy demand from AI
 +  * 4.0 Energy supply for AI
 +
 +[[https://www.theguardian.com/technology/2026/apr/17/microsoft-us-tech-firms-lobbied-eu-secrecy-rules-datacentre-emissions|US tech firms successfully lobbied EU to keep datacentre emissions secret]], The Guardian, UK, 17 Apr, 2026.
 +
 +
 +Ben Jordan //[[https://popwave.ai/benn-jordan/blog/data-centers-infrasound-health-risks|Data Centers' Hidden Health Hazard: The Infrasound Threat]]//, 20 Feb, 2026
  
  
  
  • art_ai/breaking_the_mold_of_normalization.1775996266.txt.gz
  • Last modified: 2026/04/12 14:17
  • by fstalder@zhdk.ch