* Patrick Carriou. 2000. [[https://www.amazon.com/Yes-Rasta-Perry-Henzell/dp/1576870731|Yes Rasta]].
* Prince vs. Carriou, The question of fair use [[http://www.herrick.com/publications/the-transformation-of-fair-use-after-prince-v-cariou |The ‘Transformation’ of Fair Use After Prince v. Cariou]] 2014
* Prince vs. Carriou, The question of fair use [[http://www.herrick.com/publications/the-transformation-of-fair-use-after-prince-v-cariou |The ‘Transformation’ of Fair Use After Prince v. Cariou]] 2014
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* "New Portraits." Prince & Instagram [[Law Suit), [[https://www.theguardian.com/artanddesign/2015/may/27/suicide-girls-richard-prince-copying-instagram| Suicide Girls' reaction]] [[https://news.artnet.com/market/art-flippers-suicide-girls-richard-prince-prints-324580 | reselling re-appropriation]]
* [[https://brooklynrail.org/2014/11/artseen/richard-prince-new-portraits|Review of New Portaits]]. Brooklyn Rail, 2014
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* [[https://news.artnet.com/market/art-flippers-suicide-girls-richard-prince-prints-324580 |Art Flippers Attempt to Unload Suicide Girls’ Version of Richard Prince Work]], 11.08.2015
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* [[https://www.theverge.com/2021/4/24/22399790/emily-ratajkowski-nft-christies-copyright-nightmare-richard-prince|How many layers of copyright infringement are in Emily Ratajkowski’s new NFT?]] The Verge, 21.03.2021
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* Emily Ratajkowski [[https://www.thecut.com/article/emily-ratajkowski-owning-my-image-essay.html|Buying Myself Back When does a model own her own image]] The Cut, 15.09.2020
Metropolitan Museum of Art, [[https://www.metmuseum.org/exhibitions/listings/2009/pictures-generation | The Pictures Generation, 1974–1984]], 2009
Metropolitan Museum of Art, [[https://www.metmuseum.org/exhibitions/listings/2009/pictures-generation | The Pictures Generation, 1974–1984]], 2009
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* [[https://www.youtube.com/watch?v=4V6ffUUEvaM | The Body Of Emmett Till | 100 Photos | TIME]]
* [[https://www.youtube.com/watch?v=4V6ffUUEvaM | The Body Of Emmett Till | 100 Photos | TIME]]
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* [[https://news.artnet.com/art-world/dana-schutz-painting-emmett-till-whitney-biennial-protest-897929 | Dana Schutz’s Painting of Emmett Till at Whitney Biennial Sparks Protest]] Artnet News, March 21, 2017
* [[https://news.artnet.com/art-world/dana-schutz-painting-emmett-till-whitney-biennial-protest-897929 | Dana Schutz’s Painting of Emmett Till at Whitney Biennial Sparks Protest]] Artnet News, March 21, 2017
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* [[https://news.artnet.com/art-world/dana-schutz-responds-to-the-uproar-over-her-emmett-till-painting-900674 | Dana Schutz Responds to the Uproar Over Her Emmett Till Painting at the Whitney Biennial]] Artnet News, March 23, 2017
* [[https://news.artnet.com/art-world/dana-schutz-responds-to-the-uproar-over-her-emmett-till-painting-900674 | Dana Schutz Responds to the Uproar Over Her Emmett Till Painting at the Whitney Biennial]] Artnet News, March 23, 2017
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* Speidel, Klaus. 2017. “[[https://www.spikeartmagazine.com/en/articles/dana-schutzs-open-casket-controversy-around-painting-symptom-art-world-malady | Dana Schutz’s ‘Open Casket’: A Controversy around a Painting as a Symptom of an Art World Malady.]]” Spike Art Magazine. March 24, 2017.
* Speidel, Klaus. 2017. “[[https://www.spikeartmagazine.com/en/articles/dana-schutzs-open-casket-controversy-around-painting-symptom-art-world-malady | Dana Schutz’s ‘Open Casket’: A Controversy around a Painting as a Symptom of an Art World Malady.]]” Spike Art Magazine. March 24, 2017.
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* Michaels, Walter Benn. 2018. “Who Gets Ownership of Pain and Victimhood?” Le Monde Diplomatique, May 2018. https://mondediplo.com/2018/05/14race-class.
* Michaels, Walter Benn. 2018. “Who Gets Ownership of Pain and Victimhood?” Le Monde Diplomatique, May 2018. https://mondediplo.com/2018/05/14race-class.
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**Choose your own case**
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* Steve Locke. 2020. [[https://www.artforum.com/print/202009/guston-whiteness-and-the-unfinished-business-of-the-vile-world-84378|Guston, Whiteness, and the unfinished business of the vile world.]] Artforum (December)
====== Thursday: Limits of (Cultural) Appropriation ======
====== Thursday: Limits of (Cultural) Appropriation ======
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==== Afternoon ====
==== Afternoon ====
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Felix Stalder. 2018. Digital Condition. Polity Press. (read chapter{{ ::stalder_-_the_digital_condition_referentiality.pdf |"Referentiality"}} p. 59-79)
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**Referentiality & Remix**
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* Felix Stalder. 2018. Digital Condition. Polity Press. (read chapter{{ ::stalder_-_the_digital_condition_referentiality.pdf |"Referentiality"}} p. 59-79)
**Meme Culture**
**Meme Culture**
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**Black Meme Culture**
**Black Meme Culture**
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* Jackson, Laur M., 2016 [[https://modelviewculture.com/pieces/the-blackness-of-meme-movement | The Blackness of Meme Movement]] modelviewculture.com
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* Jackson, Laur M., 2016 [[https://modelviewculture.com/pieces/the-blackness-of-meme-movement | The Blackness of Meme Movement]] modelviewculture.com ([[https://web.archive.org/web/20210413144328/https://modelviewculture.com/pieces/the-blackness-of-meme-movement|archived version]])
* Aria Dean [[https://reallifemag.com/poor-meme-rich-meme/|Poor Meme, Rich Meme]] Real Life Mag, July 25, 2016
* Aria Dean [[https://reallifemag.com/poor-meme-rich-meme/|Poor Meme, Rich Meme]] Real Life Mag, July 25, 2016
====== Friday: Remix & Memes ======
====== Friday: Remix & Memes ======
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Copyright Reform: [[https://rechtaufremix.org|Recht auf Remix]]
Copyright Reform: [[https://rechtaufremix.org|Recht auf Remix]]
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https://knowyourmeme.com
Feels Good Man. Documentary on Pepe the Frog, 2020, 90 min.
Feels Good Man. Documentary on Pepe the Frog, 2020, 90 min.