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--- art_and_appropriation [2021/04/29 09:52] – [Wednesday: Postmodernism & Apporpriation Art] fstalder
+++ art_and_appropriation [2021/04/30 09:17] (current) – [Afternoon] fstalder
@@ Line 134: / Line 134: @@
   * Michaels, Walter Benn. 2018. “Who Gets Ownership of Pain and Victimhood?” Le Monde Diplomatique, May 2018. https://mondediplo.com/2018/05/14race-class.
-**Choose your own case**
+  * Steve Locke. 2020. [[https://www.artforum.com/print/202009/guston-whiteness-and-the-unfinished-business-of-the-vile-world-84378|Guston, Whiteness, and the unfinished business of the vile world.]] Artforum (December)
 ======  Thursday: Limits of (Cultural) Appropriation ======
@@ Line 149: / Line 149: @@
 **Black Meme Culture**
-  * Jackson, Laur M., 2016 [[https://modelviewculture.com/pieces/the-blackness-of-meme-movement | The Blackness of Meme Movement]] modelviewculture.com
+  * Jackson, Laur M., 2016 [[https://modelviewculture.com/pieces/the-blackness-of-meme-movement | The Blackness of Meme Movement]] modelviewculture.com ([[https://web.archive.org/web/20210413144328/https://modelviewculture.com/pieces/the-blackness-of-meme-movement|archived version]])
   * Aria Dean [[https://reallifemag.com/poor-meme-rich-meme/|Poor Meme, Rich Meme]] Real Life Mag, July 25, 2016
 ======  Friday: Remix & Memes ======
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 Copyright Reform: [[https://rechtaufremix.org|Recht auf Remix]]
+https://knowyourmeme.com
 Feels Good Man. Documentary on Pepe the Frog, 2020, 90 min.