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--- art_copyright [2025/02/16 15:54] – [Wednesday: Appropriation: Motives and Strategies] fstalder@zhdk.ch
+++ art_copyright [2025/03/01 13:50] (current) – [Friday: Machine Creativity, The case for/against Generative AI] fstalder@zhdk.ch
@@ Line 32: / Line 32: @@
   * Open Letter: [[https://openletter.earth/cancel-the-christies-ai-art-auction-f5135435?limit=0|Cancel the Christie's AI Art Auction]]. 8 February 2025
-  * Christie's: [[https://onlineonly.christies.com/s/augmented-intelligence/lots/3837|[Augementated Intelligence]] Online  Auction. 20 February – 5 March
+  * Christie's: [[https://onlineonly.christies.com/s/augmented-intelligence/lots/3837|Augmented Intelligence]] Online  Auction. 20 February – 5 March
   * Christie's: [[https://www.christies.com/en/stories/what-is-ai-art-augmented-intelligence-36dc0897d3584268b5102468a3bf8a8c|What is AI Art?]]
-  * Nelson, George. 2025. “Thousands of Artists Demand Christie’s Cancels AI Art Sale: ‘AI Models Exploit Humans.’” ARTnews.Com (blog). February 11, 2025. https://www.artnews.com/art-news/news/artists-demand-christies-cancels-ai-art-sale-claiming-ai-models-exploit-humans-1234732217/.
+  * Nelson, George. 2025. [[https://www.artnews.com/art-news/news/artists-demand-christies-cancels-ai-art-sale-claiming-ai-models-exploit-humans-1234732217/.|“Thousands of Artists Demand Christie’s Cancels AI Art Sale: ‘AI Models Exploit Humans.’”]] [[https://www.artnews.com|ARTnews.Com]] (blog). February 11, 2025.
@@ Line 75: / Line 75: @@
 [[https://en.wikipedia.org/wiki/Animal-made_art|Wikipedia Animal Made Art]]
-[[http://copyrightblog.kluweriplaw.com/2018/02/05/monkey-business-finally-settled-monkey-selfie-disputes|The Monkey Selfie (2011-2017)]]
+[[http://copyrightblog.kluweriplaw.com/2018/02/05/monkey-business-finally-settled-monkey-selfie-disputes|The Monkey Selfie (2011-2017)]] [[https://casetext.com/case/naruto-v-slater| CaseText: Naruto v. Slater]], Case No. 15-cv-04324-WHO (N.D. Cal. Jan. 28, 2016)
 Fobar, Rachel. „[[https://www.nationalgeographic.com/animals/article/inside-the-ongoing-fight-for-happys-freedom.|A Person or a Thing? Inside the Fight for Animal Personhood]]“. National Geographic, 4. August 2021
+[[https://www.primaten.ch/de|Grundrechte für Primaten]] Initiative Basel-Stadt, 02.2022
 **Machines**
@@ Line 165: / Line 167: @@
 **Sherry Levine**
-  * [[https://www.davidzwirner.com/artists/sherrie-levine|David Zwirner Gallery]
+  * [[https://www.davidzwirner.com/artists/sherrie-levine|David Zwirner Gallery]]
   * [[https://www.theartstory.org/artist/levine-sherrie/| The Art Story]]
@@ Line 196: / Line 198: @@
   * Jerry Saltz [[http://www.artnet.com/magazineus/features/saltz/saltz5-18-09.asp | Great Artists Steal]], ArtNet, 2009
-Evans, David, ed. 2009. [[https://claseshipermedia.files.wordpress.com/2018/09/evans-d-edit-appropriation-mit.pdf|Appropriation. Documents of Contemporary Art]]. London : Cambridge, Mass: Whitechapel ; MIT Press. Read Introduction. p.12-23
+Evans, David, ed. 2009. [[https://claseshipermedia.files.wordpress.com/2018/09/evans-d-edit-appropriation-mit.pdf|Appropriation. Documents of Contemporary Art]]. London : Cambridge, Mass: Whitechapel ; MIT Press. Read Isabelle Graw. p.214-218
 Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http://www2.chaux-de-fonds.ch/musees/mba/mba-expositions/mba-a-avenir/Documents/MBA_GUIDE_DE_VISITE_REPLIQUES.pdf|Catalogue]]
@@ Line 203: / Line 205: @@
 === Afternoon: ===
-Do you own work of appropration / generation.
+Work on Assignement
 ===== Thursday: Paradoxes of machine creativity =====
@@ Line 229: / Line 231: @@
 Sollfrank, Cornelia. 2010. [[https://irights.info/artikel/anonymous-warhol-flowers-urheberrecht-als-material-und-gegenstand-der-kunst/6875|Anonymous Warhol Flowers: Urheberrecht als Material und Gegenstand der Kunst]]. Irights.Info
-Guest: Cornelia Sollfrank, via Zoom 15:30
+=== Afternoon: ===
+Work on Assignement
-**Collaborating with AI**
-  * Dirk Knemeyer and Jonathan Follett (2020). [[https://towardsdatascience.com/making-art-with-ai-cc1acb332d0|Making Art with AI. Human and Machine Collaboration for Unexplored Territory]]. towardsdatascience.com (Dec. 11)
-  * Marche, Stephen. 2021. “[[https://www.newyorker.com/culture/cultural-comment/the-computers-are-getting-better-at-writing|The Computers Are Getting Better at Writing]].” The New Yorker, April 30, 2021. ([[ http://archive.today/qOULG|archived, full version]])
-[[https://infiniteconversation.com/|Infinite Conversation]]: an AI generated, never-ending discussion between Werner Herzog and Slavoj Žižek.
+===== Friday: Machine Creativity, The case for/against Generative AI =====
-===== Friday: The Copyright Case of Training Data and Generative AI =====
 **Artist against a provider of a training data set**
@@ Line 255: / Line 253: @@
 Belanger, Ashley. „[[https://arstechnica.com/tech-policy/2024/08/artists-claim-big-win-in-copyright-suit-fighting-ai-image-generators/|Artists Claim “Big” Win in Copyright Suit Fighting AI Image Generators]]“. Ars Technica, 14. August 2024.
+===  AI and Authorship ===
+  * Caldwell, Mackenzie. 2023. [[https://houstonlawreview.org/article/92132-what-is-an-author-copyright-authorship-of-ai-art-through-a-philosophical-lens|“What Is an ‘Author’?-Copyright Authorship of AI Art Through a Philosophical Lens.”]] Houston Law Review 61 (2): 411–42. (read I: Introduction & IV: The Three Possible Authors of AI Art)
+  * Malevé, Nicolas. „[[https://doi.org/10.7146/nja.v33i67.148455|Style and Revenge: The Vagaries of the Artistic Class in Generative AI]]“. The Nordic Journal of Aesthetics 33, Nr. 67 (23. August 2024).
+Holly Herndon & Matt Dryhurst
+  * [[https://www.youtube.com/watch?v=r4sROgbaeOs1|Holly Herndon - Eternal (Official Video)]]
+  * [[https://www.serpentinegalleries.org/about/press/holly-herndon-and-mat-dryhurst-the-call/|The Call]]. Serpentine Gallery, 11.2024-2.2025
+  * [[https://www.youtube.com/watch?v=H--42zhgJXc|Creating a consent layer for AI systems | Holly Herndon + Mat Dryhurst | Serpentine]], 11.2023, 17 Minutes
+  * Wiener, Anna. 2023. “[[https://www.newyorker.com/magazine/2023/11/20/holly-herndons-infinite-art|Holly Herndon’s Infinite Art.]]” The New Yorker. November 13, 2023.
-Malevé, Nicolas. „[[https://doi.org/10.7146/nja.v33i67.148455|Style and Revenge: The Vagaries of the Artistic Class in Generative AI]]“. The Nordic Journal of Aesthetics 33, Nr. 67 (23. August 2024).
 Phillip Schmidt: https://humans-of.ai
@@ Line 263: / Line 273: @@
-[[https://pad.vmk.zhdk.ch/paradoxes_of_copyright_further_refs|Further references]] (Pad)
+=== Afternoon: ===
+Presentation & Discussion of Assigments.
+[[https://pad.vmk.zhdk.ch/paradoxes_of_copyright_further_refs|Further references]] (Pad)