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| art_copyright [2025/02/17 15:29] – fstalder@zhdk.ch | art_copyright [2025/03/01 13:50] (current) – [Friday: Machine Creativity, The case for/against Generative AI] fstalder@zhdk.ch |
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| * Jerry Saltz [[http://www.artnet.com/magazineus/features/saltz/saltz5-18-09.asp | Great Artists Steal]], ArtNet, 2009 | * Jerry Saltz [[http://www.artnet.com/magazineus/features/saltz/saltz5-18-09.asp | Great Artists Steal]], ArtNet, 2009 |
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| Evans, David, ed. 2009. [[https://claseshipermedia.files.wordpress.com/2018/09/evans-d-edit-appropriation-mit.pdf|Appropriation. Documents of Contemporary Art]]. London : Cambridge, Mass: Whitechapel ; MIT Press. Read Introduction. p.12-23 | Evans, David, ed. 2009. [[https://claseshipermedia.files.wordpress.com/2018/09/evans-d-edit-appropriation-mit.pdf|Appropriation. Documents of Contemporary Art]]. London : Cambridge, Mass: Whitechapel ; MIT Press. Read Isabelle Graw. p.214-218 |
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| Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http://www2.chaux-de-fonds.ch/musees/mba/mba-expositions/mba-a-avenir/Documents/MBA_GUIDE_DE_VISITE_REPLIQUES.pdf|Catalogue]] | Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http://www2.chaux-de-fonds.ch/musees/mba/mba-expositions/mba-a-avenir/Documents/MBA_GUIDE_DE_VISITE_REPLIQUES.pdf|Catalogue]] |
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| * Caldwell, Mackenzie. 2023. [[https://houstonlawreview.org/article/92132-what-is-an-author-copyright-authorship-of-ai-art-through-a-philosophical-lens|“What Is an ‘Author’?-Copyright Authorship of AI Art Through a Philosophical Lens.”]] Houston Law Review 61 (2): 411–42. | * Caldwell, Mackenzie. 2023. [[https://houstonlawreview.org/article/92132-what-is-an-author-copyright-authorship-of-ai-art-through-a-philosophical-lens|“What Is an ‘Author’?-Copyright Authorship of AI Art Through a Philosophical Lens.”]] Houston Law Review 61 (2): 411–42. (read I: Introduction & IV: The Three Possible Authors of AI Art) |
| * Malevé, Nicolas. „[[https://doi.org/10.7146/nja.v33i67.148455|Style and Revenge: The Vagaries of the Artistic Class in Generative AI]]“. The Nordic Journal of Aesthetics 33, Nr. 67 (23. August 2024). | * Malevé, Nicolas. „[[https://doi.org/10.7146/nja.v33i67.148455|Style and Revenge: The Vagaries of the Artistic Class in Generative AI]]“. The Nordic Journal of Aesthetics 33, Nr. 67 (23. August 2024). |
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| | Holly Herndon & Matt Dryhurst |
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| | * [[https://www.youtube.com/watch?v=r4sROgbaeOs1|Holly Herndon - Eternal (Official Video)]] |
| | * [[https://www.serpentinegalleries.org/about/press/holly-herndon-and-mat-dryhurst-the-call/|The Call]]. Serpentine Gallery, 11.2024-2.2025 |
| | * [[https://www.youtube.com/watch?v=H--42zhgJXc|Creating a consent layer for AI systems | Holly Herndon + Mat Dryhurst | Serpentine]], 11.2023, 17 Minutes |
| | * Wiener, Anna. 2023. “[[https://www.newyorker.com/magazine/2023/11/20/holly-herndons-infinite-art|Holly Herndon’s Infinite Art.]]” The New Yorker. November 13, 2023. |
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| Phillip Schmidt: https://humans-of.ai | Phillip Schmidt: https://humans-of.ai |
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| [[https://pad.vmk.zhdk.ch/paradoxes_of_copyright_further_refs|Further references]] (Pad) | [[https://pad.vmk.zhdk.ch/paradoxes_of_copyright_further_refs|Further references]] (Pad) |
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