art_post-human_photography

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision		 Previous revision
art_post-human_photography [2021/09/28 11:29] – fstalderart_post-human_photography [2021/11/02 17:27] (current) – [Wednesday] fstalder@zhdk.ch
Line 9: Line 9:
 In this module, we are investigating visual theory and artistic approaches that, like Vertov 100 years ago, respond to these contemporary challenges by creating a new type of “realism”, which the artist Paolo Cirio calls “evidentiary”. A visual language that is able to account for the reality we are living in. We are, among others, focussing on works by Trevor Paglen, Suzanne Treister, Marc Lombardi, and Forensic Architecture. In this module, we are investigating visual theory and artistic approaches that, like Vertov 100 years ago, respond to these contemporary challenges by creating a new type of “realism”, which the artist Paolo Cirio calls “evidentiary”. A visual language that is able to account for the reality we are living in. We are, among others, focussing on works by Trevor Paglen, Suzanne Treister, Marc Lombardi, and Forensic Architecture.
  
 +
 +=== Course requirements: ===
 +
 +Attendance (80%)
 +
 +Participation in reading, discussions, and group presentations
 +
 +Submission of a very short paper, personal interests in relation to the theme of the 
  
 ===== Monday ===== ===== Monday =====
Line 14: Line 22:
 === Human/Post-human Photography === === Human/Post-human Photography ===
  
 +[[https://www.arthistoricum.net/themen/portale/renaissance/lektion-iii-die-geistigen-und-kunsttheoretischen-grundlagen-der-renaissance/5-filippo-brunelleschi-und-die-zentralperspektive|Invention of the Central Perspective]] (1420)
 +
 +Walker Evans (1903–1975), https://www.metmuseum.org/toah/hd/evan/hd_evan.htm
  
-Robert Frank: Americans, 1959 +Robert Frank (1924-2019): Americans, 1959, https://www.lensculture.com/articles/robert-frank-the-americans
-https://www.lensculture.com/articles/robert-frank-the-americans+
  
-Nan Goldin +Nan Goldin (1953- ), http://www.artnet.com/artists/nan-goldin
-http://www.artnet.com/artists/nan-goldin+
  
  
Line 36: Line 45:
 https://www.google.com/maps/@51.5075274,-0.0849736,11.26z/data=!5m1!1e2?hl=de https://www.google.com/maps/@51.5075274,-0.0849736,11.26z/data=!5m1!1e2?hl=de
  
 +David Claerbout. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years). since 2016
 +https://davidclaerbout.com/Olympia-The-real-time-disintegration-into-ruins-of-the-Berlin-Olympic
 +
 +[[https://youtu.be/ildxLpQ29yY?t=4963|Talk at HBK, Leizpig]], 2019
  
  
Line 43: Line 56:
  
 Foster, Hal. 2017. “Real Fictions. Alternatives to Alternative Facts.” Artforum International, https://www.artforum.com/print/201704/real-fictions-alternatives-to-alternative-facts-67192. Foster, Hal. 2017. “Real Fictions. Alternatives to Alternative Facts.” Artforum International, https://www.artforum.com/print/201704/real-fictions-alternatives-to-alternative-facts-67192.
 +
 +Braidotti, Rosi, and Maria Hlavajova, eds. 2018. Posthuman Glossary. Theory. London Oxford New York New Delhi Sydney: Bloomsbury Academic.
 +
 +Entries: Art (Tom Holert) / Posthuman Critical Theory (Rosi Braidotti) / Postimage (Ingrid Hoelzl) / Sensing (Jennifer Gnabris, Helen Pritschard)
 +
  
  
Line 64: Line 82:
 Exhibition Catalogue, https://nomegallery.com/wp-content/uploads/2017/04/ER_Catalog.pdf Exhibition Catalogue, https://nomegallery.com/wp-content/uploads/2017/04/ER_Catalog.pdf
  
-Read Introduction by Paolo Cirio  +**Read**  
-  * The Other Nefertiti, by Nora Al-Badri and Jan Nikolai Nellesq+ 
 +Introduction by Paolo Cirio  
 +  * The Other Nefertiti, by Nora Al-Badri and Jan Nikolai Nelles
   * Seamless Transitions, by James Bridle   * Seamless Transitions, by James Bridle
   * Reconnaissance,  by Ingrid Burrington   * Reconnaissance,  by Ingrid Burrington
Line 74: Line 94:
 ===== Wednesday ===== ===== Wednesday =====
  
-Conversation Paolo Cirio+=== Conversation with Paolo Cirio ===
  
 +via Zoom
  
 === Seeing Machines === === Seeing Machines ===
-Reading all: Trevor Paglen: Seeing Machines, 2014, https://www.fotomuseum.ch/de/2014/03/13/seeing-machines/+ 
 +**Read:** 
 + 
 +Trevor Paglen: Seeing Machines, 2014, https://www.fotomuseum.ch/de/2014/03/13/seeing-machines/ 
 Harun Farocki, Eye/Machine, 2000, https://www.harunfarocki.de/installations/2000s/2000/eye-machine.html Harun Farocki, Eye/Machine, 2000, https://www.harunfarocki.de/installations/2000s/2000/eye-machine.html
  
-Reading all: Crawford, Kate. 2021. Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. New Haven: Yale University Press. (Chapter 5, Affect. p.151-179)+**Read:** 
 + 
 +Crawford, Kate. 2021. Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. New Haven: Yale University Press. (Chapter 5, Affect. p.151-179) 
 + 
 +**Lecture:**
  
 Kate Crawford, Trevor Paglen. Datafication of Science, 2019, 32 min Kate Crawford, Trevor Paglen. Datafication of Science, 2019, 32 min
 https://www.hkw.de/de/app/mediathek/video/69622 https://www.hkw.de/de/app/mediathek/video/69622
 +
 + * Kate Crawford and Trevor Paglen, [[https://www.excavating.ai/Excavating|AI. The Politics of Images in Machine Learning Training Sets]] 
 +  * [[http://www.fondazioneprada.org/project/training-humans/?lang=en|Fondazoione Prada: Training Humans]], Fondazione Prada, Venice, 12 Sep 2019 – 24 Feb 2020 [[https://we-make-money-not-art.com/training-humans-how-machines-see-and-judge-us|Review]], we-make-money-not-art.com, Dec. 16.2019
 +  * Lyons, Michael J. 2020. “Excavating ‘Excavating AI’: The Elephant in the Gallery.” ArXiv:2009.01215 [Cs], September. https://doi.org/10.5281/zenodo.4037538.
 +  * Lyons, Michael J. 2021. “‘Excavating AI’ Re-Excavated: Debunking a Fallacious Account of the JAFFE Dataset.” ArXiv:2107.13998 [Cs], July. http://arxiv.org/abs/2107.13998.
 +
 +  * Paglen, Trevor. [[https://thenewinquiry.com/invisible-images-your-pictures-are-looking-at-you/|“Invisible Images (Your Pictures Are Looking at You).”]] The New Inquiry (blog), December 8, 2016
          
  
Line 92: Line 128:
  
 https://forensic-architecture.org https://forensic-architecture.org
 +
 +**Read:** 
  
 Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books. Introduction p. 13-33 Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books. Introduction p. 13-33
 +
 Weizman, Eyal. 2019. “Open Verification.” E-Flux Architecture (June 2019), 2019. https://www.e-flux.com/architecture/becoming-digital/248062/open-verification Weizman, Eyal. 2019. “Open Verification.” E-Flux Architecture (June 2019), 2019. https://www.e-flux.com/architecture/becoming-digital/248062/open-verification
  
-Major works:+**Lecture: ** 
 +Weizman, Eyal: Forensic Architecture – Lecture, Haus der Kunst, Munich, Nov. 2018 https://www.youtube.com/watch?v=Bc49ppFXG1w&t=463s (start at 11:30) 
 + 
 +**Works:** 
 +  * The Killing of Nadeem Nawara and Mohammed Abu Daher, https://forensic-architecture.org/investigation/the-killing-of-nadeem-nawara-and-mohammed-abu-daher
   * Triple Chaser: https://forensic-architecture.org/investigation/triple-chaser   * Triple Chaser: https://forensic-architecture.org/investigation/triple-chaser
 +  * Intentional Fires in Papua https://forensic-architecture.org/investigation/intentional-fires-in-papua
   * The Murder of Halit Yozgat; https://forensic-architecture.org/investigation/the-murder-of-halit-yozgat, https://www.nsu-tribunal.de/en/   * The Murder of Halit Yozgat; https://forensic-architecture.org/investigation/the-murder-of-halit-yozgat, https://www.nsu-tribunal.de/en/
     * Lawrence Abu Hamdan: 77sqm_9:26min at Documenta 14 https://forensic-architecture.org/programme/exhibitions/77sqm_926min-documenta-14     * Lawrence Abu Hamdan: 77sqm_9:26min at Documenta 14 https://forensic-architecture.org/programme/exhibitions/77sqm_926min-documenta-14
     * https://news.artnet.com/art-world/documenta-14-kassel-forensic-nsu-trial-984701     * https://news.artnet.com/art-world/documenta-14-kassel-forensic-nsu-trial-984701
 +
 +**Additional references:**
 +
 +Matthew Fuller, Eyal Weizman. 2021. Investigative Aesthetics. Conflicts and Commons in the Politics of Truth. London: Verso 
 +  * [[http://petitpoi.net/investigative-aesthetics/|Conversation with Fuller/Weizmann]], Oct. 10, 2021
 +
 +===== Friday =====
 +
 +=== Forensic Architecture ===
 +
 +Cont.
 +
 +=== Writing of papers ===
 +1-2 pages, personal interest, relating to themes discussed during the week.
 +
 +Presentation of ideas for paper
 +
 +**Afternoon**
 +
 +individual writing 
 +
 +personal mentorat (if interest)
 +
  
  • art_post-human_photography.1632821370.txt.gz
  • Last modified: 2021/09/28 11:29
  • by fstalder