art_post-human_photography

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art_post-human_photography [2021/09/28 12:11] – fstalderart_post-human_photography [2021/11/02 17:27] (current) – [Wednesday] fstalder@zhdk.ch
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 Attendance (80%) Attendance (80%)
 +
 Participation in reading, discussions, and group presentations Participation in reading, discussions, and group presentations
 +
 Submission of a very short paper, personal interests in relation to the theme of the  Submission of a very short paper, personal interests in relation to the theme of the 
  
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 === Human/Post-human Photography === === Human/Post-human Photography ===
  
-Walker Evans (1903–1975) https://www.metmuseum.org/toah/hd/evan/hd_evan.htm+[[https://www.arthistoricum.net/themen/portale/renaissance/lektion-iii-die-geistigen-und-kunsttheoretischen-grundlagen-der-renaissance/5-filippo-brunelleschi-und-die-zentralperspektive|Invention of the Central Perspective]] (1420) 
 + 
 +Walker Evans (1903–1975), https://www.metmuseum.org/toah/hd/evan/hd_evan.htm
  
-Robert Frank (1924-2019): Americans, 1959 +Robert Frank (1924-2019): Americans, 1959, https://www.lensculture.com/articles/robert-frank-the-americans
-https://www.lensculture.com/articles/robert-frank-the-americans+
  
-Nan Goldin (1953- ) +Nan Goldin (1953- ), http://www.artnet.com/artists/nan-goldin
-http://www.artnet.com/artists/nan-goldin+
  
  
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 https://www.google.com/maps/@51.5075274,-0.0849736,11.26z/data=!5m1!1e2?hl=de https://www.google.com/maps/@51.5075274,-0.0849736,11.26z/data=!5m1!1e2?hl=de
  
-Generated Faces https://generated.photos/+David Claerbout. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years). since 2016 
 +https://davidclaerbout.com/Olympia-The-real-time-disintegration-into-ruins-of-the-Berlin-Olympic 
 + 
 +[[https://youtu.be/ildxLpQ29yY?t=4963|Talk at HBK, Leizpig]], 2019 
  
 === Reading: === === Reading: ===
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 Foster, Hal. 2017. “Real Fictions. Alternatives to Alternative Facts.” Artforum International, https://www.artforum.com/print/201704/real-fictions-alternatives-to-alternative-facts-67192. Foster, Hal. 2017. “Real Fictions. Alternatives to Alternative Facts.” Artforum International, https://www.artforum.com/print/201704/real-fictions-alternatives-to-alternative-facts-67192.
 +
 +Braidotti, Rosi, and Maria Hlavajova, eds. 2018. Posthuman Glossary. Theory. London Oxford New York New Delhi Sydney: Bloomsbury Academic.
 +
 +Entries: Art (Tom Holert) / Posthuman Critical Theory (Rosi Braidotti) / Postimage (Ingrid Hoelzl) / Sensing (Jennifer Gnabris, Helen Pritschard)
 +
  
  
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 Exhibition Catalogue, https://nomegallery.com/wp-content/uploads/2017/04/ER_Catalog.pdf Exhibition Catalogue, https://nomegallery.com/wp-content/uploads/2017/04/ER_Catalog.pdf
  
-Read Introduction by Paolo Cirio  +**Read**  
-  * The Other Nefertiti, by Nora Al-Badri and Jan Nikolai Nellesq+ 
 +Introduction by Paolo Cirio  
 +  * The Other Nefertiti, by Nora Al-Badri and Jan Nikolai Nelles
   * Seamless Transitions, by James Bridle   * Seamless Transitions, by James Bridle
   * Reconnaissance,  by Ingrid Burrington   * Reconnaissance,  by Ingrid Burrington
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 === Conversation with Paolo Cirio === === Conversation with Paolo Cirio ===
  
 +via Zoom
  
 === Seeing Machines === === Seeing Machines ===
  
-Reading all: Trevor Paglen: Seeing Machines, 2014, https://www.fotomuseum.ch/de/2014/03/13/seeing-machines/+**Read:** 
 + 
 +Trevor Paglen: Seeing Machines, 2014, https://www.fotomuseum.ch/de/2014/03/13/seeing-machines/ 
 Harun Farocki, Eye/Machine, 2000, https://www.harunfarocki.de/installations/2000s/2000/eye-machine.html Harun Farocki, Eye/Machine, 2000, https://www.harunfarocki.de/installations/2000s/2000/eye-machine.html
  
-Reading all: Crawford, Kate. 2021. Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. New Haven: Yale University Press. (Chapter 5, Affect. p.151-179)+**Read:** 
 + 
 +Crawford, Kate. 2021. Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. New Haven: Yale University Press. (Chapter 5, Affect. p.151-179) 
 + 
 +**Lecture:**
  
 Kate Crawford, Trevor Paglen. Datafication of Science, 2019, 32 min Kate Crawford, Trevor Paglen. Datafication of Science, 2019, 32 min
 https://www.hkw.de/de/app/mediathek/video/69622 https://www.hkw.de/de/app/mediathek/video/69622
 +
 + * Kate Crawford and Trevor Paglen, [[https://www.excavating.ai/Excavating|AI. The Politics of Images in Machine Learning Training Sets]] 
 +  * [[http://www.fondazioneprada.org/project/training-humans/?lang=en|Fondazoione Prada: Training Humans]], Fondazione Prada, Venice, 12 Sep 2019 – 24 Feb 2020 [[https://we-make-money-not-art.com/training-humans-how-machines-see-and-judge-us|Review]], we-make-money-not-art.com, Dec. 16.2019
 +  * Lyons, Michael J. 2020. “Excavating ‘Excavating AI’: The Elephant in the Gallery.” ArXiv:2009.01215 [Cs], September. https://doi.org/10.5281/zenodo.4037538.
 +  * Lyons, Michael J. 2021. “‘Excavating AI’ Re-Excavated: Debunking a Fallacious Account of the JAFFE Dataset.” ArXiv:2107.13998 [Cs], July. http://arxiv.org/abs/2107.13998.
 +
 +  * Paglen, Trevor. [[https://thenewinquiry.com/invisible-images-your-pictures-are-looking-at-you/|“Invisible Images (Your Pictures Are Looking at You).”]] The New Inquiry (blog), December 8, 2016
          
  
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 https://forensic-architecture.org https://forensic-architecture.org
  
-Read: +**Read:**  
 Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books. Introduction p. 13-33 Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books. Introduction p. 13-33
 +
 Weizman, Eyal. 2019. “Open Verification.” E-Flux Architecture (June 2019), 2019. https://www.e-flux.com/architecture/becoming-digital/248062/open-verification Weizman, Eyal. 2019. “Open Verification.” E-Flux Architecture (June 2019), 2019. https://www.e-flux.com/architecture/becoming-digital/248062/open-verification
  
-Lecture +**Lecture: ** 
-Weizman, Eyal: Forensic Architecture – Lecture, Haus der Kunst, Munich, Nov. 2018  +Weizman, Eyal: Forensic Architecture – Lecture, Haus der Kunst, Munich, Nov. 2018 https://www.youtube.com/watch?v=Bc49ppFXG1w&t=463s (start at 11:30)
-    • https://www.youtube.com/watch?v=Bc49ppFXG1w&t=463s (start at 11:30)+
  
-Works:+**Works:**
   * The Killing of Nadeem Nawara and Mohammed Abu Daher, https://forensic-architecture.org/investigation/the-killing-of-nadeem-nawara-and-mohammed-abu-daher   * The Killing of Nadeem Nawara and Mohammed Abu Daher, https://forensic-architecture.org/investigation/the-killing-of-nadeem-nawara-and-mohammed-abu-daher
   * Triple Chaser: https://forensic-architecture.org/investigation/triple-chaser   * Triple Chaser: https://forensic-architecture.org/investigation/triple-chaser
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     * Lawrence Abu Hamdan: 77sqm_9:26min at Documenta 14 https://forensic-architecture.org/programme/exhibitions/77sqm_926min-documenta-14     * Lawrence Abu Hamdan: 77sqm_9:26min at Documenta 14 https://forensic-architecture.org/programme/exhibitions/77sqm_926min-documenta-14
     * https://news.artnet.com/art-world/documenta-14-kassel-forensic-nsu-trial-984701     * https://news.artnet.com/art-world/documenta-14-kassel-forensic-nsu-trial-984701
 +
 +**Additional references:**
 +
 +Matthew Fuller, Eyal Weizman. 2021. Investigative Aesthetics. Conflicts and Commons in the Politics of Truth. London: Verso 
 +  * [[http://petitpoi.net/investigative-aesthetics/|Conversation with Fuller/Weizmann]], Oct. 10, 2021
  
 ===== Friday ===== ===== Friday =====
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 === Writing of papers === === Writing of papers ===
-1-2 pages, Personal interest, relating to themes discussed during the week. +1-2 pages, personal interest, relating to themes discussed during the week. 
-Presentation of ideas of paper + 
-Writing (afternoon)+Presentation of ideas for paper 
 + 
 +**Afternoon** 
 + 
 +individual writing  
 personal mentorat (if interest) personal mentorat (if interest)
  
  
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  • Last modified: 2021/09/28 12:11
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