Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision | ||
art_post-human_photography [2021/09/28 12:12] – [Wednesday] fstalder | art_post-human_photography [2021/11/02 17:27] (current) – [Wednesday] fstalder@zhdk.ch | ||
---|---|---|---|
Line 13: | Line 13: | ||
Attendance (80%) | Attendance (80%) | ||
+ | |||
Participation in reading, discussions, | Participation in reading, discussions, | ||
+ | |||
Submission of a very short paper, personal interests in relation to the theme of the | Submission of a very short paper, personal interests in relation to the theme of the | ||
Line 20: | Line 22: | ||
=== Human/ | === Human/ | ||
- | Walker Evans (1903–1975) https:// | + | [[https:// |
+ | |||
+ | Walker Evans (1903–1975), https:// | ||
- | Robert Frank (1924-2019): | + | Robert Frank (1924-2019): |
- | https:// | + | |
- | Nan Goldin (1953- ) | + | Nan Goldin (1953- ), http:// |
- | http:// | + | |
Line 43: | Line 45: | ||
https:// | https:// | ||
- | Generated Faces https://generated.photos/ | + | David Claerbout. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years). since 2016 |
+ | https:// | ||
+ | |||
+ | [[https://youtu.be/ildxLpQ29yY? | ||
=== Reading: === | === Reading: === | ||
Line 50: | Line 56: | ||
Foster, Hal. 2017. “Real Fictions. Alternatives to Alternative Facts.” Artforum International, | Foster, Hal. 2017. “Real Fictions. Alternatives to Alternative Facts.” Artforum International, | ||
+ | |||
+ | Braidotti, Rosi, and Maria Hlavajova, eds. 2018. Posthuman Glossary. Theory. London Oxford New York New Delhi Sydney: Bloomsbury Academic. | ||
+ | |||
+ | Entries: Art (Tom Holert) / Posthuman Critical Theory (Rosi Braidotti) / Postimage (Ingrid Hoelzl) / Sensing (Jennifer Gnabris, Helen Pritschard) | ||
+ | |||
Line 71: | Line 82: | ||
Exhibition Catalogue, https:// | Exhibition Catalogue, https:// | ||
- | Read Introduction by Paolo Cirio | + | **Read** |
- | * The Other Nefertiti, by Nora Al-Badri and Jan Nikolai | + | |
+ | Introduction by Paolo Cirio | ||
+ | * The Other Nefertiti, by Nora Al-Badri and Jan Nikolai | ||
* Seamless Transitions, | * Seamless Transitions, | ||
* Reconnaissance, | * Reconnaissance, | ||
Line 83: | Line 96: | ||
=== Conversation with Paolo Cirio === | === Conversation with Paolo Cirio === | ||
+ | via Zoom | ||
=== Seeing Machines === | === Seeing Machines === | ||
- | Reading all: Trevor Paglen: Seeing Machines, 2014, https:// | + | **Read:** |
+ | |||
+ | Trevor Paglen: Seeing Machines, 2014, https:// | ||
Harun Farocki, Eye/ | Harun Farocki, Eye/ | ||
- | Reading all: Crawford, Kate. 2021. Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. New Haven: Yale University Press. (Chapter 5, Affect. p.151-179) | + | **Read:** |
+ | |||
+ | Crawford, Kate. 2021. Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. New Haven: Yale University Press. (Chapter 5, Affect. p.151-179) | ||
+ | |||
+ | **Lecture: | ||
Kate Crawford, Trevor Paglen. Datafication of Science, 2019, 32 min | Kate Crawford, Trevor Paglen. Datafication of Science, 2019, 32 min | ||
https:// | https:// | ||
+ | |||
+ | * Kate Crawford and Trevor Paglen, [[https:// | ||
+ | * [[http:// | ||
+ | * Lyons, Michael J. 2020. “Excavating ‘Excavating AI’: The Elephant in the Gallery.” ArXiv: | ||
+ | * Lyons, Michael J. 2021. “‘Excavating AI’ Re-Excavated: | ||
+ | |||
+ | * Paglen, Trevor. [[https:// | ||
| | ||
Line 102: | Line 129: | ||
https:// | https:// | ||
- | Read: | + | **Read:** |
Weizman, Eyal. 2017. Forensic Architecture: | Weizman, Eyal. 2017. Forensic Architecture: | ||
+ | |||
Weizman, Eyal. 2019. “Open Verification.” E-Flux Architecture (June 2019), 2019. https:// | Weizman, Eyal. 2019. “Open Verification.” E-Flux Architecture (June 2019), 2019. https:// | ||
- | Lecture | + | **Lecture: ** |
- | Weizman, Eyal: Forensic Architecture – Lecture, Haus der Kunst, Munich, Nov. 2018 | + | Weizman, Eyal: Forensic Architecture – Lecture, Haus der Kunst, Munich, Nov. 2018 https:// |
- | • https:// | + | |
- | Works: | + | **Works:** |
* The Killing of Nadeem Nawara and Mohammed Abu Daher, https:// | * The Killing of Nadeem Nawara and Mohammed Abu Daher, https:// | ||
* Triple Chaser: https:// | * Triple Chaser: https:// | ||
Line 117: | Line 145: | ||
* Lawrence Abu Hamdan: 77sqm_9: | * Lawrence Abu Hamdan: 77sqm_9: | ||
* https:// | * https:// | ||
+ | |||
+ | **Additional references: | ||
+ | |||
+ | Matthew Fuller, Eyal Weizman. 2021. Investigative Aesthetics. Conflicts and Commons in the Politics of Truth. London: Verso | ||
+ | * [[http:// | ||
===== Friday ===== | ===== Friday ===== | ||
Line 125: | Line 158: | ||
=== Writing of papers === | === Writing of papers === | ||
- | 1-2 pages, | + | 1-2 pages, |
- | Presentation of ideas of paper | + | |
- | Writing (afternoon) | + | Presentation of ideas for paper |
+ | |||
+ | **Afternoon** | ||
+ | |||
+ | individual writing | ||
personal mentorat (if interest) | personal mentorat (if interest) | ||