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--- art_post-human_photography [2021/09/28 12:19] – fstalder
+++ art_post-human_photography [2021/11/02 17:27] (current) – [Wednesday] fstalder@zhdk.ch
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 === Human/Post-human Photography ===
+[[https://www.arthistoricum.net/themen/portale/renaissance/lektion-iii-die-geistigen-und-kunsttheoretischen-grundlagen-der-renaissance/5-filippo-brunelleschi-und-die-zentralperspektive|Invention of the Central Perspective]] (1420)
 Walker Evans (1903–1975), https://www.metmuseum.org/toah/hd/evan/hd_evan.htm
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 https://www.google.com/maps/@51.5075274,-0.0849736,11.26z/data=!5m1!1e2?hl=de
-Generated Faces https://generated.photos/
+David Claerbout. Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years). since 2016
+https://davidclaerbout.com/Olympia-The-real-time-disintegration-into-ruins-of-the-Berlin-Olympic
+[[https://youtu.be/ildxLpQ29yY?t=4963|Talk at HBK, Leizpig]], 2019
 === Reading: ===
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 Foster, Hal. 2017. “Real Fictions. Alternatives to Alternative Facts.” Artforum International, https://www.artforum.com/print/201704/real-fictions-alternatives-to-alternative-facts-67192.
+Braidotti, Rosi, and Maria Hlavajova, eds. 2018. Posthuman Glossary. Theory. London Oxford New York New Delhi Sydney: Bloomsbury Academic.
+Entries: Art (Tom Holert) / Posthuman Critical Theory (Rosi Braidotti) / Postimage (Ingrid Hoelzl) / Sensing (Jennifer Gnabris, Helen Pritschard)
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 Introduction by Paolo Cirio
-  * The Other Nefertiti, by Nora Al-Badri and Jan Nikolai Nellesq
+  * The Other Nefertiti, by Nora Al-Badri and Jan Nikolai Nelles
   * Seamless Transitions, by James Bridle
   * Reconnaissance,  by Ingrid Burrington
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 Kate Crawford, Trevor Paglen. Datafication of Science, 2019, 32 min
 https://www.hkw.de/de/app/mediathek/video/69622
+ * Kate Crawford and Trevor Paglen, [[https://www.excavating.ai/Excavating|AI. The Politics of Images in Machine Learning Training Sets]]
+  * [[http://www.fondazioneprada.org/project/training-humans/?lang=en|Fondazoione Prada: Training Humans]], Fondazione Prada, Venice, 12 Sep 2019 – 24 Feb 2020 [[https://we-make-money-not-art.com/training-humans-how-machines-see-and-judge-us|Review]], we-make-money-not-art.com, Dec. 16.2019
+  * Lyons, Michael J. 2020. “Excavating ‘Excavating AI’: The Elephant in the Gallery.” ArXiv:2009.01215 [Cs], September. https://doi.org/10.5281/zenodo.4037538.
+  * Lyons, Michael J. 2021. “‘Excavating AI’ Re-Excavated: Debunking a Fallacious Account of the JAFFE Dataset.” ArXiv:2107.13998 [Cs], July. http://arxiv.org/abs/2107.13998.
+  * Paglen, Trevor. [[https://thenewinquiry.com/invisible-images-your-pictures-are-looking-at-you/|“Invisible Images (Your Pictures Are Looking at You).”]] The New Inquiry (blog), December 8, 2016
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     * Lawrence Abu Hamdan: 77sqm_9:26min at Documenta 14 https://forensic-architecture.org/programme/exhibitions/77sqm_926min-documenta-14
     * https://news.artnet.com/art-world/documenta-14-kassel-forensic-nsu-trial-984701
+**Additional references:**
+Matthew Fuller, Eyal Weizman. 2021. Investigative Aesthetics. Conflicts and Commons in the Politics of Truth. London: Verso
+  * [[http://petitpoi.net/investigative-aesthetics/|Conversation with Fuller/Weizmann]], Oct. 10, 2021
 ===== Friday =====