art_the_paradoxes_of_copyright

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision		 Previous revision
art_the_paradoxes_of_copyright [2021/10/18 11:09] – [Thursday Afternoon und Friday morning: Brave new Crytpo-Workd: NTF as Ownership without copyright] fstalder@zhdk.chart_the_paradoxes_of_copyright [2022/05/24 09:12] (current) – [Thursday Afternoon und Friday morning: Brave new Crypto-World: NFT as Ownership without Copyright] fstalder
Line 59: Line 59:
 Foucault, Michel. 1998. “What Is an Author.” In Aesthetics, Method, and Epistemology, edited by James D. Faubion, 205–22. Essential Works of Foucault 1954-1984, Vol. 2. New York: New Press. https://www.sas.upenn.edu/~cavitch/pdf-library/Foucault_Author.pdf Foucault, Michel. 1998. “What Is an Author.” In Aesthetics, Method, and Epistemology, edited by James D. Faubion, 205–22. Essential Works of Foucault 1954-1984, Vol. 2. New York: New Press. https://www.sas.upenn.edu/~cavitch/pdf-library/Foucault_Author.pdf
  
-===== Tuesday: Cornelia Sollfrank and the Paradoxes of distributed authorship =====+===== Tuesday: Cornelia Sollfrank and the paradoxes of distributed authorship =====
  
 Works:  Works: 
Line 126: Line 126:
  
 Harrison, Nate. 2015. “In The Wake of Richard Prince and Instagram, Revisiting Copyright Law, Appropriation and History.” AMERICAN SUBURB X (blog). June 4, 2015. https://americansuburbx.com/2015/06/in-the-wake-of-richard-prince-and-instagram-revisiting-copyright-law-appropriation-and-history.html Harrison, Nate. 2015. “In The Wake of Richard Prince and Instagram, Revisiting Copyright Law, Appropriation and History.” AMERICAN SUBURB X (blog). June 4, 2015. https://americansuburbx.com/2015/06/in-the-wake-of-richard-prince-and-instagram-revisiting-copyright-law-appropriation-and-history.html
 +
 +Nate Harrison [[https://nkhstudio.com/pages/popup_amen.html|Can I Get An Amen?]], 2004
  
  
Line 137: Line 139:
 Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http://www2.chaux-de-fonds.ch/musees/mba/mba-expositions/mba-a-avenir/Documents/MBA_GUIDE_DE_VISITE_REPLIQUES.pdf|Catalogue]] Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http://www2.chaux-de-fonds.ch/musees/mba/mba-expositions/mba-a-avenir/Documents/MBA_GUIDE_DE_VISITE_REPLIQUES.pdf|Catalogue]]
  
-===== Thursday: Is everything a remix? =====+===== Thursday: Beyond Coypright, I ===== 
 + 
 +Free Licences and Commons 
 + 
 +  * [[https://www.gnu.org/licenses/gpl-3.0.en.html|GNU GPL]] and the [[https://www.gnu.org/philosophy/free-sw.html.en|four freedoms]] 
 +  * [[https://artlibre.org/licence/lal/en/|Free Art Licence]] 
 +  * [[https://creativecommons.org/|Creative Commons]] 
 + 
 +Sollfrank, Cornelia, Felix Stalder, and Shusha Niederberger, eds. 2021. Aesthetics of the Commons. Zurich / Berlin: Diaphanes. Read: Introduction: p. 11 - 33 https://www.diaphanes.net/titel/aesthetics-of-the-commons-6419 
 + 
 +[[https://www.furtherfield.org/|Furtherfield]] 
  
-Nate Harrison [[https://nkhstudio.com/pages/popup_amen.html|Can I Get An Amen?]], 2004 
  
-Kirb Filby [[https://www.everythingisaremix.info/|Everything is a Remix]], Video Series+<del>Kirb Filby [[https://www.everythingisaremix.info/|Everything is a Remix]], Video Series
  
 Sonvilla-Weiss, Stefan. 2015. “Good Artists Copy, Great Artists Steal. Reflections on Cut-Copy-Paste Culture.” In The Routledge Companion to Remix Studies, edited by Eduardo Navas, Owen Gallagher, and Xtine Burrough, 54–67. New York: Routledge, Taylor & Francis Group. Sonvilla-Weiss, Stefan. 2015. “Good Artists Copy, Great Artists Steal. Reflections on Cut-Copy-Paste Culture.” In The Routledge Companion to Remix Studies, edited by Eduardo Navas, Owen Gallagher, and Xtine Burrough, 54–67. New York: Routledge, Taylor & Francis Group.
 {{ ::sonvilla-weiss_2015_good_artists_copy_great_artists_steal.pdf |PDF}} {{ ::sonvilla-weiss_2015_good_artists_copy_great_artists_steal.pdf |PDF}}
  
-Stalder, Felix. 2009. “9 Thesen Zur Remix Kultur.” Irights.Info, June 2009. https://irights.info/wp-content/uploads/fileadmin/texte/material/Stalder_Remixing.pdf  
  
 +Stalder, Felix. 2009. “9 Thesen Zur Remix Kultur.” Irights.Info, June 2009. https://irights.info/wp-content/uploads/fileadmin/texte/material/Stalder_Remixing.pdf</del> 
  
  
  
-===== Thursday Afternoon und Friday morning: Brave new Crypto-Workd: NTF as Ownership without copyright =====+ 
 +===== Thursday Afternoon und Friday morning: Brave new Crypto-World: NFT as Ownership without Copyright ===== 
 + 
 + 
 +Catlow, Ruth, Marc Garrett, Nathan Jones, and Sam Skinner, eds. 2017. Artists Re:Thinking the Blockchain. England] : [London: Torque Editions ; Furtherfield.{{ :catlow_intro.pdf |Intro: PDF}} 
  
 What is an NFT What is an NFT
Line 171: Line 188:
  
  
-NFT Market Place+Major NFT Market Places
   * https://niftygateway.com/   * https://niftygateway.com/
 +  * https://opensea.io/
 +  * https://superrare.co/
  
 On the difference between contract (coin) and artwork On the difference between contract (coin) and artwork
Line 183: Line 202:
  
  
-Full spectrum critique of NFT+Full-spectrum critique of NFT
   * https://everestpipkin.medium.com/but-the-environmental-issues-with-cryptoart-1128ef72e6a3   * https://everestpipkin.medium.com/but-the-environmental-issues-with-cryptoart-1128ef72e6a3
  
Line 195: Line 214:
  
 **The even more, and differently twisted case of Beeple** **The even more, and differently twisted case of Beeple**
-  *  + 
-  * https://amycastor.com/2021/03/14/metakovan-the-mystery-beeple-art-buyer-and-his-nft-defi-scheme/+  * Amy Castor. 2021. [[https://amycastor.com/2021/03/14/metakovan-the-mystery-beeple-art-buyer-and-his-nft-defi-scheme|Metakovan, the mystery Beeple art buyer, and his NFT/DeFi scheme]]
   * https://twitter.com/jonty/status/1372163423446917122   * https://twitter.com/jonty/status/1372163423446917122
 +  * Comparable Case with Damian Hirst's "For the Love of God" (2007). http://badatsports.com/2007/hirst-reported-as-major-investor-in-the-purchase-of-his-own-diamond-skull/
  
  
Line 204: Line 224:
  
 How Crypto Art Might Offer Artists Increased Autonomy How Crypto Art Might Offer Artists Increased Autonomy
 +
 https://hyperallergic.com/626274/nft-crypto-art-artist-autonomy/ https://hyperallergic.com/626274/nft-crypto-art-artist-autonomy/
 +
 +Terra0, Two Degrees NFT, 2021
 +
 +https://terra0.medium.com/two-degrees-nft-5af1263bfcc
 +
 +Adi Wagenknecht & Matt Dryhust. 2021 A guide to ecofriendly CryptoArt (NFTs)
 +
 +https://github.com/memo/eco-nft
 +
 +
  
 Financialization of Art Financialization of Art
Line 210: Line 241:
 https://www.masterworks.io/ https://www.masterworks.io/
  
-Introduction: Ruth Catlow and Furtherfield 
- 
-Catlow, Ruth, Marc Garrett, Nathan Jones, and Sam Skinner, eds. 2017. Artists Re:Thinking the Blockchain. England] : [London: Torque Editions ; Furtherfield. 
  
 **Zoom Conversation**  **Zoom Conversation** 
  • art_the_paradoxes_of_copyright.1634548146.txt.gz
  • Last modified: 2021/10/18 11:09
  • by fstalder@zhdk.ch