Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision | ||
art_the_paradoxes_of_copyright [2021/10/18 11:09] – [Tuesday: Cornelia Sollfrank and the Paradoxes of distributed authorship] fstalder@zhdk.ch | art_the_paradoxes_of_copyright [2022/05/24 09:12] (current) – [Thursday Afternoon und Friday morning: Brave new Crypto-World: NFT as Ownership without Copyright] fstalder | ||
---|---|---|---|
Line 126: | Line 126: | ||
Harrison, Nate. 2015. “In The Wake of Richard Prince and Instagram, Revisiting Copyright Law, Appropriation and History.” AMERICAN SUBURB X (blog). June 4, 2015. https:// | Harrison, Nate. 2015. “In The Wake of Richard Prince and Instagram, Revisiting Copyright Law, Appropriation and History.” AMERICAN SUBURB X (blog). June 4, 2015. https:// | ||
+ | |||
+ | Nate Harrison [[https:// | ||
Line 137: | Line 139: | ||
Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http:// | Replicas. Originality on Trial in and around Olivier Mosset’s Collection. 30.06 –29.10.2017. Musée Des Beaux-Arts, La Chaux-De-Fonds. [[http:// | ||
- | ===== Thursday: | + | ===== Thursday: |
+ | |||
+ | Free Licences and Commons | ||
+ | |||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | * [[https:// | ||
+ | |||
+ | Sollfrank, Cornelia, Felix Stalder, and Shusha Niederberger, | ||
+ | |||
+ | [[https:// | ||
- | Nate Harrison [[https:// | ||
- | Kirb Filby [[https:// | + | <del>Kirb Filby [[https:// |
Sonvilla-Weiss, | Sonvilla-Weiss, | ||
{{ :: | {{ :: | ||
- | Stalder, Felix. 2009. “9 Thesen Zur Remix Kultur.” Irights.Info, | ||
+ | Stalder, Felix. 2009. “9 Thesen Zur Remix Kultur.” Irights.Info, | ||
- | ===== Thursday Afternoon und Friday morning: Brave new Crypto-Workd: NTF as Ownership without | + | |
+ | ===== Thursday Afternoon und Friday morning: Brave new Crypto-World: NFT as Ownership without | ||
+ | |||
+ | |||
+ | Catlow, Ruth, Marc Garrett, Nathan Jones, and Sam Skinner, eds. 2017. Artists Re:Thinking the Blockchain. England] : | ||
What is an NFT | What is an NFT | ||
Line 171: | Line 188: | ||
- | NFT Market | + | Major NFT Market |
* https:// | * https:// | ||
+ | * https:// | ||
+ | * https:// | ||
On the difference between contract (coin) and artwork | On the difference between contract (coin) and artwork | ||
Line 183: | Line 202: | ||
- | Full spectrum critique of NFT | + | Full-spectrum critique of NFT |
* https:// | * https:// | ||
Line 195: | Line 214: | ||
**The even more, and differently twisted case of Beeple** | **The even more, and differently twisted case of Beeple** | ||
- | * | + | |
- | * https:// | + | * Amy Castor. 2021. [[https:// |
* https:// | * https:// | ||
+ | * Comparable Case with Damian Hirst' | ||
Line 204: | Line 224: | ||
How Crypto Art Might Offer Artists Increased Autonomy | How Crypto Art Might Offer Artists Increased Autonomy | ||
+ | |||
https:// | https:// | ||
+ | |||
+ | Terra0, Two Degrees NFT, 2021 | ||
+ | |||
+ | https:// | ||
+ | |||
+ | Adi Wagenknecht & Matt Dryhust. 2021 A guide to ecofriendly CryptoArt (NFTs) | ||
+ | |||
+ | https:// | ||
+ | |||
+ | |||
Financialization of Art | Financialization of Art | ||
Line 210: | Line 241: | ||
https:// | https:// | ||
- | Introduction: | ||
- | |||
- | Catlow, Ruth, Marc Garrett, Nathan Jones, and Sam Skinner, eds. 2017. Artists Re:Thinking the Blockchain. England] : | ||
**Zoom Conversation** | **Zoom Conversation** |