Differences

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--- kunst_kuenstliche_intelligenz [2020/08/30 15:37] – fstalder
+++ kunst_kuenstliche_intelligenz [2020/09/01 09:41] (current) – [My Input] fstalder
@@ Line 19: / Line 19: @@
 [[https://paul.zhdk.ch/mod/folder/view.php?id=21907|Literature on Paul]]
-===== My Input =====
+==== My Input ====
-**Seeing Machines Seeing**
+=== Watching Machines See ===
   * !Mediengruppe Bitnik [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/samesame/|SAME SAME. WATCHING ALGORITHMS - CABARET VOLTAIRE EDITION]] 2015
@@ Line 27: / Line 28: @@
   * !Mediengruppe Bitnik! [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/sor/|Dada. State of the Reference]], 2017
-**Boundaries between human and the non-human**
+=== Boundaries between human and the non-human ===
 Latour, Bruno. 1989. [[https://courses.ischool.berkeley.edu/i290-tpl/s11/w/images/6/69/The_Moral_Dilemmas_of_a_Safety-belt.pdf|“The Moral Dilemmas of a Safety-Belt.”]] Translated by Lydia Davis. Traduction Inédite En Anglais.
@@ Line 41: / Line 43: @@
 Crockett, Zachary. 2019. [[https://thehustle.co/making-money-on-amazon-mechanical-turk|“How Much Money Can You Make on Amazon Mechanical Turk?”]] The Hustle (July 13). 2019.
-**Authorship, Copyright and AI**
+=== Authorship, Copyright and AI ===
 Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10'000)
@@ Line 53: / Line 56: @@
 Cornelia Sollfrank:  [[http://net.art-generator.com|Net.Art Generator]] Smart Artists make the machine do the work, since 1997
-  * Legal Perspective, Plug-in Basel
+  * [[http://artwarez.org/19.0.html|Legal Perspective]], 2004, Plug-in Basel
-  * Stalder, Felix. 2014. [[https://www.artlog.net/de/kunstbulletin-1-2-2014/urheberrecht-wenn-das-recht-kunstfeindlich-wird|“Urheberrecht - Wenn Das Recht Kunstfeindlich Wird.”]] //Kunstbulletin//, 2014.
+  * Stalder, Felix. 2014. [[https://www.artlog.net/de/kunstbulletin-1-2-2014/urheberrecht-wenn-das-recht-kunstfeindlich-wird|“Urheberrecht - Wenn das Recht kunstfeindlich wird.”]] //Kunstbulletin//, 2014.