Differences

This shows you the differences between two versions of the page.

--- painted_by_numbers [2018/10/08 12:51] – [Fr. 26. Oktober: Smart City: Der quantifizierte Raum] fstalder
+++ painted_by_numbers [2019/01/08 09:03] (current) – [Fr. 23. November: Quantified Self: Der Körper aus Zahlen] fstalder
@@ Line 112: / Line 112: @@
 Zeit: 10:00–17:00\\
 Raum: 5.G02
+**-> Präsentationen: Reto, Leonard, Antonio**
@@ Line 119: / Line 121: @@
 Mau, Steffen. 2017. Das Metrische Wir: Über Die Quantifizierung Des Sozialen. Erste Auflage, Originalausgabe. Berlin: Suhrkamp. (lesen: "Quantifizierung des Selbst. Balken und Kurven. S. 167-184]
+Tehching Hsieh - [[https://vimeo.com/16280427|One Year Performance 1980 – 1981 (Time Clock Piece)]] [[https://post.at.moma.org/content_items/767-tehching-hsieh-s-one-year-performance|Jenny Schlenzka, Tehching Hsieh’s "One Year Performance"]], 2016
+[[http://jenniferlynmorone.com | Jennifer Lyn Morone]] [[https://www.theguardian.com/artanddesign/2016/feb/09/jennifer-lyn-morone-neoliberal-lulz-data-surveillance|Human for sale: the artist who turned herself into a corporation]] Guardian, 09.02.2016
+Ellie Harrison
+  * [[https://www.ellieharrison.com/work/broadcasts| Broadcasts]]
+  * [[https://issuu.com/ellieharrison/docs/confessions|Confession of a Recovering Data Collector]], 2009
+Michael Mandiberg
+  * [[https://vimeo.com/215431547| Quantified Self Portrait (Rhythms)]], January 1 2017 - January 1 2018
+  * [[https://vimeo.com/218765270| Quantified Self Portrait (One Year Performance) - Documentation]]
+[[http://www.unfitbits.com/|Unfitbits - Tega Brain]], Surya Mattu und Sam Laveign
+[[https://datadating.tacticaltech.org/about|The Dating Brokers]], Joana Moll and Tactical Tech, 2018
+[[http://www.janavirgin.com/|Joana Moll]]
+[[http://thoughtcollider.nl/project/rhythm-of-life/ | Thought Collider. The Rhythm of Life]] 2014 – Ongoing
+[[ http://www.softhook.com/bio.htm | Christian Nold: Bio Mapping]] Jan 2004 - ongoing
@@ Line 125: / Line 152: @@
 Raum: 3.K13
-Affekt\\
+**-> Präsentationen: Natasha, Lark, Alexander Martina**
-Massumi, Brian. 1995. “The Autonomy of Affect.” Cultural Critique, no. 31: 83–109. https://doi.org/10.2307/1354446.
+**Affekt**\\
+Massumi, Brian. 2010. “Über Microperzeption und Mikropolitik. Brian Massumi im Interview mit Joel McKim.” In Ontomacht: Kunst, Affekt und das Ereignis des Politischen, translated by Claudia Weigel, 69–103. Berlin: Merve-Verlag. (lesen: S. 69-80)
+-> Alexander
-Panik & Nebel\\
+**Panik & Nebel**\\
-Tiqqun. 2007. Kybernetik Und Revolte. Zürich-Berlin: diaphanes. (S. 112-122)
+Tiqqun. 2007. Kybernetik Und Revolte. Zürich-Berlin: diaphanes. (Lesen: S. 112-122)
+-> Lark & Aysha
-Opazität\\
+**Opazität**\\
-Glissant, Édouard. 1997. “For Opacticy.” In Poetics of Relation, translated by Betsy Wing, 189–94. Ann Arbor: University of Michigan Press.
+Glissant, Édouard. 1997. “For Opacticy.” In Poetics of Relation, translated by Betsy Wing,  Ann Arbor: University of Michigan Press, p. 189–94.
+-> Martina & Natascha