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--- posthuman_photography [2025/05/24 10:47] – fstalder@zhdk.ch
+++ posthuman_photography [2025/06/08 22:58] (current) – [Friday] fstalder@zhdk.ch
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 Participation in reading, discussions, and group presentations
-Submission of a very short paper, personal interests in relation to the theme of the module
 Pad for course notes:
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 === Humanism & Post-Humanism and the depiction of the real ===
-Humanism
+Human(ism)
   * Renaissance (1400 - 1600)
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   * Nan Goldin (1953- ), [[http://www.artnet.com/artists/nan-goldin]]
 Photo Realism:
   * [[https://www.museum-franzgertsch.ch/de/franz-gertsch]] Franz Gertsch (*1930)
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 Surveillance Machine Visions
-  * Surveillance Camera Players, 1995
+  * Surveillance Camera Players, 1995- ([[http://www.medienkunstnetz.de/artist/surveillance-camera-players/biography/|Medienkunstnetz]], Work: [[https://www.youtube.com/watch?v=RILTl8mxEnE|1984]])
   * [[https://zkm.de/en/exhibition/2001/10/ctrl-space-rhetorics-of-surveillance|CTRL [Space]. Rhetorics of Surveillance]], 2001
   * Manu Luksch: Faceless, 2007
   * Bitnik, [[https://2016.bitnik.org/s/|Surveillance Chess]], 2012
+  * [[https://artasiapacific.com/people/direct-action-an-interview-with-ge-yulu| GE YULU’s Eye Contact]], 2016, single-channel video: 2 hr 14 min 52 sec.
+  *  [[https://www.moma.org/calendar/film/5009|Dragonfly Eyes]], Directed by Xu Bing. China, 2017, DCP, color, 81 min
 === Reading: ===
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 Wolfe, Cary. {{ ::posthumanism_wolfe_posthuman_glossary_-_rosi_braidotti.pdf|“Posthumanism.”}} In Posthuman Glossary, edited by Rosi Braidotti and Maria Hlavajova, 356-358. Theory. London Oxford New York New Delhi Sydney: Bloomsbury Academic, 2018.
+Trans-animal [[https://en.wikipedia.org/wiki/Zoo_(American_TV_series)|Zoo]] TV Series 2015-2017
 ===== Tuesday =====
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   * [[https://youtu.be/ildxLpQ29yY?t=4963|Talk at HBK, Leizpig]], 2019
+Marco De Mutiis, Gwendolyn Fässler, Doris Gassert, Alessandra Nappo {{ ::2025_pb_the_lure_of_the_image_intro.pdf |The Lure of the Image. Intro Catalogue}}
-Trevor Paglen: [[https://www.fotomuseum.ch/de/series/is-photography-over/|Is Photography over?]] Four-Part Series, 01.03. – 15.04.2014
+**Afternoon:**
+Exhibition visit: [[https://www.fotomuseum.ch/en/exhibitions-post/the-lure-of-the-image-wie-bilder-im-netz-verlocken|The Lure of the Image]]
+[[https://www.permanentbeta.network]]
+  * Fotomuseum Winterthur Grüzenstrasse 44 + 45 CH-8400 WinterthurMeet at entrance 14:30
-**Afternoon:**
-Visit: [[https://www.fotomuseum.ch/en/exhibitions-post/the-lure-of-the-image-wie-bilder-im-netz-verlocken|The Lure of the Image]] Photomuseum, Winterthur. Meet at entrance 14:30
 ===== Wednesday =====
-=== Evidentiary Realism and Forensis===
+=== Evidentiary Realism and Forensis ===
 Evidentiary Realism. GROUP SHOW. FEBRUARY 28 - MARCH 31, 2017 [[https://nomegallery.com/exhibitions/evidentiary-realism/]]
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-Fuller, Matthew, and Eyal Weizman. Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. Brooklyn: Verso Books, 2021. (Read: {{ ::fuller_weizmann_aesthetics_beyond_perception.pdf |Aesthetics beyond Perception}}, pp. 33-41)
 [[https://forensic-architecture.org]]
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 **Additional references:**
+   * Fuller, Matthew, and Eyal Weizman. Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. Brooklyn: Verso Books, 2021. (Read: {{ ::fuller_weizmann_aesthetics_beyond_perception.pdf |Aesthetics beyond Perception}}, pp. 33-41)
   * Weizman, Eyal: [[https://youtu.be/Bc49ppFXG1w?t=700|Forensic Architecture – Lecture]], Haus der Kunst, Munich, Nov. 2018 (start at 11:40)
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 ===== Friday =====
 :00 - 12:00
 === Operational Images ===
+"The term “operational image”, or “operative image” was coined by the Czechoslovakian-born filmmaker Harun Farocki around 2000. ... Operational images are images that do not depict or represent, entertain or inform but rather track, navigate, activate, oversee, control, visualise, detect and identify. Operational images are instruments that perform tasks and carry out functions as part of an operation."
+[[https://operationalimages.cz/|Operational Images and Visual Culture: Media Archaeological Investigations (2019-2023)]]
+Trevor Paglen: [[https://www.fotomuseum.ch/de/series/is-photography-over/|Is Photography over?]] Four-Part Series, 01.03. – 15.04.2014
 Harun Farocki: [[https://www.harunfarocki.de/films/2000s/2003/war-at-a-distance.html|War at a Distance]], 58min, 2003
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 **Deep Dive into the operations of machine Vision**
-Trevor Paglen & Cate Crawford [[https://www.hkw.de/en/app/mediathek/video/6962211|Datafication of Science]] Lecture at HKW, Jan 12, 2019. 32 Min
+Trevor Paglen & Cate Crawford [[https://mediathek.hkw.de/en/video/kate-crawford--trevor-paglen--die-datafizierung-der-wissenschaft--englisch-?overlayObjectType=video&overlayObjectSlug=69622&type=video&slug=69622&backscreen|Datafication of Science]] Lecture at HKW, Jan 12, 2019. 32 Min
+**Feedback and Leval**
+[[https://cloud01.evasys.swiss/zhdk/online|Questionaire]]
+Additional Materia after the course
+MacKenzie, A., & Munster, A. (2019). Platform Seeing: Image Ensembles and Their Invisualities. Theory, Culture & Society, 36(5), 3–22. https://doi.org/10.1177/0263276419847508