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posthuman_photography [2025/05/24 10:51] – [Tuesday] fstalder@zhdk.chposthuman_photography [2025/06/08 22:58] (current) – [Friday] fstalder@zhdk.ch
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 Participation in reading, discussions, and group presentations Participation in reading, discussions, and group presentations
- 
-Submission of a very short paper, personal interests in relation to the theme of the module 
  
 Pad for course notes: Pad for course notes:
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 === Humanism & Post-Humanism and the depiction of the real === === Humanism & Post-Humanism and the depiction of the real ===
  
-Humanism+Human(ism)
  
   * Renaissance (1400 - 1600)   * Renaissance (1400 - 1600)
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   * Nan Goldin (1953- ), [[http://www.artnet.com/artists/nan-goldin]]   * Nan Goldin (1953- ), [[http://www.artnet.com/artists/nan-goldin]]
  
-Photo Realism: +Photo Realism: 
   * [[https://www.museum-franzgertsch.ch/de/franz-gertsch]] Franz Gertsch (*1930)   * [[https://www.museum-franzgertsch.ch/de/franz-gertsch]] Franz Gertsch (*1930)
  
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 Surveillance Machine Visions Surveillance Machine Visions
-  * Surveillance Camera Players, 1995+ 
 +  * Surveillance Camera Players, 1995- ([[http://www.medienkunstnetz.de/artist/surveillance-camera-players/biography/|Medienkunstnetz]], Work: [[https://www.youtube.com/watch?v=RILTl8mxEnE|1984]])
   * [[https://zkm.de/en/exhibition/2001/10/ctrl-space-rhetorics-of-surveillance|CTRL [Space]. Rhetorics of Surveillance]], 2001   * [[https://zkm.de/en/exhibition/2001/10/ctrl-space-rhetorics-of-surveillance|CTRL [Space]. Rhetorics of Surveillance]], 2001
   * Manu Luksch: Faceless, 2007   * Manu Luksch: Faceless, 2007
   * Bitnik, [[https://2016.bitnik.org/s/|Surveillance Chess]], 2012   * Bitnik, [[https://2016.bitnik.org/s/|Surveillance Chess]], 2012
  
 +  * [[https://artasiapacific.com/people/direct-action-an-interview-with-ge-yulu| GE YULU’s Eye Contact]], 2016, single-channel video: 2 hr 14 min 52 sec.
 +  *  [[https://www.moma.org/calendar/film/5009|Dragonfly Eyes]], Directed by Xu Bing. China, 2017, DCP, color, 81 min
  
 === Reading: === === Reading: ===
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 Wolfe, Cary. {{ ::posthumanism_wolfe_posthuman_glossary_-_rosi_braidotti.pdf|“Posthumanism.”}} In Posthuman Glossary, edited by Rosi Braidotti and Maria Hlavajova, 356-358. Theory. London Oxford New York New Delhi Sydney: Bloomsbury Academic, 2018. Wolfe, Cary. {{ ::posthumanism_wolfe_posthuman_glossary_-_rosi_braidotti.pdf|“Posthumanism.”}} In Posthuman Glossary, edited by Rosi Braidotti and Maria Hlavajova, 356-358. Theory. London Oxford New York New Delhi Sydney: Bloomsbury Academic, 2018.
 +
 +Trans-animal [[https://en.wikipedia.org/wiki/Zoo_(American_TV_series)|Zoo]] TV Series 2015-2017
  
 ===== Tuesday ===== ===== Tuesday =====
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   * David Claerbout. Olympia (The real-time disintegration into ruins of the Berlin Olympic Stadium over the course of a thousand years). since 2016 [[https://davidclaerbout.com/Olympia-The-real-time-disintegration-into-ruins-of-the-Berlin-Olympic]]   * David Claerbout. Olympia (The real-time disintegration into ruins of the Berlin Olympic Stadium over the course of a thousand years). since 2016 [[https://davidclaerbout.com/Olympia-The-real-time-disintegration-into-ruins-of-the-Berlin-Olympic]]
   * [[https://youtu.be/ildxLpQ29yY?t=4963|Talk at HBK, Leizpig]], 2019   * [[https://youtu.be/ildxLpQ29yY?t=4963|Talk at HBK, Leizpig]], 2019
- 
-Trevor Paglen: [[https://www.fotomuseum.ch/de/series/is-photography-over/|Is Photography over?]] Four-Part Series, 01.03. – 15.04.2014 
  
 Marco De Mutiis, Gwendolyn Fässler, Doris Gassert, Alessandra Nappo {{ ::2025_pb_the_lure_of_the_image_intro.pdf |The Lure of the Image. Intro Catalogue}} Marco De Mutiis, Gwendolyn Fässler, Doris Gassert, Alessandra Nappo {{ ::2025_pb_the_lure_of_the_image_intro.pdf |The Lure of the Image. Intro Catalogue}}
 +
 +**Afternoon:**
 +
 +Exhibition visit: [[https://www.fotomuseum.ch/en/exhibitions-post/the-lure-of-the-image-wie-bilder-im-netz-verlocken|The Lure of the Image]]
 +
 +[[https://www.permanentbeta.network]]
 +
 +  * Fotomuseum Winterthur Grüzenstrasse 44 + 45 CH-8400 WinterthurMeet at entrance 14:30
  
  
  
-**Afternoon:** 
-Visit: [[https://www.fotomuseum.ch/en/exhibitions-post/the-lure-of-the-image-wie-bilder-im-netz-verlocken|The Lure of the Image]] Photomuseum, Winterthur. Meet at entrance 14:30 
  
 ===== Wednesday ===== ===== Wednesday =====
  
-=== Evidentiary Realism and Forensis===+=== Evidentiary Realism and Forensis ===
  
 Evidentiary Realism. GROUP SHOW. FEBRUARY 28 - MARCH 31, 2017 [[https://nomegallery.com/exhibitions/evidentiary-realism/]] Evidentiary Realism. GROUP SHOW. FEBRUARY 28 - MARCH 31, 2017 [[https://nomegallery.com/exhibitions/evidentiary-realism/]]
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-Fuller, Matthew, and Eyal Weizman. Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. Brooklyn: Verso Books, 2021. (Read: {{ ::fuller_weizmann_aesthetics_beyond_perception.pdf |Aesthetics beyond Perception}}, pp. 33-41) 
  
 [[https://forensic-architecture.org]] [[https://forensic-architecture.org]]
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 **Additional references:** **Additional references:**
 +
 +   * Fuller, Matthew, and Eyal Weizman. Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. Brooklyn: Verso Books, 2021. (Read: {{ ::fuller_weizmann_aesthetics_beyond_perception.pdf |Aesthetics beyond Perception}}, pp. 33-41)
 +
  
   * Weizman, Eyal: [[https://youtu.be/Bc49ppFXG1w?t=700|Forensic Architecture – Lecture]], Haus der Kunst, Munich, Nov. 2018 (start at 11:40)   * Weizman, Eyal: [[https://youtu.be/Bc49ppFXG1w?t=700|Forensic Architecture – Lecture]], Haus der Kunst, Munich, Nov. 2018 (start at 11:40)
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 ===== Friday ===== ===== Friday =====
 +
 09:00 - 12:00 09:00 - 12:00
  
 === Operational Images === === Operational Images ===
 +
 +"The term “operational image”, or “operative image” was coined by the Czechoslovakian-born filmmaker Harun Farocki around 2000. ... Operational images are images that do not depict or represent, entertain or inform but rather track, navigate, activate, oversee, control, visualise, detect and identify. Operational images are instruments that perform tasks and carry out functions as part of an operation." 
 +[[https://operationalimages.cz/|Operational Images and Visual Culture: Media Archaeological Investigations (2019-2023)]]
 +
 +Trevor Paglen: [[https://www.fotomuseum.ch/de/series/is-photography-over/|Is Photography over?]] Four-Part Series, 01.03. – 15.04.2014
  
 Harun Farocki: [[https://www.harunfarocki.de/films/2000s/2003/war-at-a-distance.html|War at a Distance]], 58min, 2003 Harun Farocki: [[https://www.harunfarocki.de/films/2000s/2003/war-at-a-distance.html|War at a Distance]], 58min, 2003
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 **Deep Dive into the operations of machine Vision** **Deep Dive into the operations of machine Vision**
  
-Trevor Paglen & Cate Crawford [[https://www.hkw.de/en/app/mediathek/video/6962211|Datafication of Science]] Lecture at HKW, Jan 12, 2019. 32 Min+Trevor Paglen & Cate Crawford [[https://mediathek.hkw.de/en/video/kate-crawford--trevor-paglen--die-datafizierung-der-wissenschaft--englisch-?overlayObjectType=video&overlayObjectSlug=69622&type=video&slug=69622&backscreen|Datafication of Science]] Lecture at HKW, Jan 12, 2019. 32 Min 
 + 
 + 
 +**Feedback and Leval**  
 + 
 +[[https://cloud01.evasys.swiss/zhdk/online|Questionaire]]  
  
 +Additional Materia after the course
  
 +MacKenzie, A., & Munster, A. (2019). Platform Seeing: Image Ensembles and Their Invisualities. Theory, Culture & Society, 36(5), 3–22. https://doi.org/10.1177/0263276419847508
  
  
  
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