Differences

This shows you the differences between two versions of the page.

--- posthuman_photography [2025/05/28 15:10] – [Tuesday] fstalder@zhdk.ch
+++ posthuman_photography [2025/06/08 22:58] (current) – [Friday] fstalder@zhdk.ch
@@ Line 142: / Line 142: @@
 **Additional references:**
+   * Fuller, Matthew, and Eyal Weizman. Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. Brooklyn: Verso Books, 2021. (Read: {{ ::fuller_weizmann_aesthetics_beyond_perception.pdf |Aesthetics beyond Perception}}, pp. 33-41)
   * Weizman, Eyal: [[https://youtu.be/Bc49ppFXG1w?t=700|Forensic Architecture – Lecture]], Haus der Kunst, Munich, Nov. 2018 (start at 11:40)
@@ Line 160: / Line 163: @@
 === Operational Images ===
+"The term “operational image”, or “operative image” was coined by the Czechoslovakian-born filmmaker Harun Farocki around 2000. ... Operational images are images that do not depict or represent, entertain or inform but rather track, navigate, activate, oversee, control, visualise, detect and identify. Operational images are instruments that perform tasks and carry out functions as part of an operation."
+[[https://operationalimages.cz/|Operational Images and Visual Culture: Media Archaeological Investigations (2019-2023)]]
 Trevor Paglen: [[https://www.fotomuseum.ch/de/series/is-photography-over/|Is Photography over?]] Four-Part Series, 01.03. – 15.04.2014
@@ Line 174: / Line 180: @@
 Trevor Paglen & Cate Crawford [[https://mediathek.hkw.de/en/video/kate-crawford--trevor-paglen--die-datafizierung-der-wissenschaft--englisch-?overlayObjectType=video&overlayObjectSlug=69622&type=video&slug=69622&backscreen|Datafication of Science]] Lecture at HKW, Jan 12, 2019. 32 Min
+**Feedback and Leval**
+[[https://cloud01.evasys.swiss/zhdk/online|Questionaire]]
+Additional Materia after the course
+MacKenzie, A., & Munster, A. (2019). Platform Seeing: Image Ensembles and Their Invisualities. Theory, Culture & Society, 36(5), 3–22. https://doi.org/10.1177/0263276419847508