unlearning_copyright_2020

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unlearning_copyright_2020 [2020/12/04 16:37] – [Monday 30.11.2020] fstalderunlearning_copyright_2020 [2020/12/14 09:30] (current) – [Monday 30.11.2020] fstalder
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   * [[http://42mm.ch/urheberrechtsgesetz-lichtbildschutz-in-kraft|Lichtbildschutz]], URG Revision, April 2020   * [[http://42mm.ch/urheberrechtsgesetz-lichtbildschutz-in-kraft|Lichtbildschutz]], URG Revision, April 2020
  
-**When Art is illegal**+**Copyright and contemporary culture. The remix problem.**
  
-  * Copyright and contemporary culture. The remix problem. 
   * [[https://www.youtube.com/watch?v=ByY6j0qzOyM| Good Copy Bad Copy (2007)]] 0:00 - 11:00   * [[https://www.youtube.com/watch?v=ByY6j0qzOyM| Good Copy Bad Copy (2007)]] 0:00 - 11:00
 +    * Pearl, Brian. “[[https://jipel.law.nyu.edu/ledger-vol-1-no-1-4-pearl/|Girl Talk, Fair Use, and Three Hundred Twenty-Two Reasons for Copyright Reform.]]” //NYU Journal of Intellectual Property and Entertainment Law// 1, no. 1 (2009): 19–41.
 +    * [[https://fairuse.stanford.edu/overview/fair-use/four-factors/|Measuring Fair Use: The Four Factors]], Stanford Copyright & Fair Use
   * [[https://www.wbs-law.de/urheberrecht/duerfen-musiker-samplings-nutzen-bgh-fragt-nun-eugh-nach-20-jahren-streit-22653| Kraftwerk vs Moses Pelham]] 2020, [[https://netzpolitik.org/2020/naechste-runde-im-sampling-streit-um-metall-auf-metall-kein-sieger-nur-verlierer/|Nächste Runde im Sampling-Streit um „Metall auf Metall“: Kein Sieger, nur Verlierer]]. Netzpolitik.org (30.04.2020)   * [[https://www.wbs-law.de/urheberrecht/duerfen-musiker-samplings-nutzen-bgh-fragt-nun-eugh-nach-20-jahren-streit-22653| Kraftwerk vs Moses Pelham]] 2020, [[https://netzpolitik.org/2020/naechste-runde-im-sampling-streit-um-metall-auf-metall-kein-sieger-nur-verlierer/|Nächste Runde im Sampling-Streit um „Metall auf Metall“: Kein Sieger, nur Verlierer]]. Netzpolitik.org (30.04.2020)
   * [[http://www.artistrights.info/cariou-v-prince|CARIOU V. PRINCE]]   * [[http://www.artistrights.info/cariou-v-prince|CARIOU V. PRINCE]]
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   * Stalder, Felix. “9 Thesen Zur Remix Kultur.” Irights.Info, June 2009. [[https://irights.info/wp-content/uploads/fileadmin/texte/material/Stalder_Remixing.pdf]]   * Stalder, Felix. “9 Thesen Zur Remix Kultur.” Irights.Info, June 2009. [[https://irights.info/wp-content/uploads/fileadmin/texte/material/Stalder_Remixing.pdf]]
   * Walravens, Nadia. “The Concept of Originality and Contemporary Art.” In Dear Images. Art, Copyright and Culture, edited by Daniel McClean and Karsten Schubert, 170–95. London: Ridinghourse; ICA, 2002.   * Walravens, Nadia. “The Concept of Originality and Contemporary Art.” In Dear Images. Art, Copyright and Culture, edited by Daniel McClean and Karsten Schubert, 170–95. London: Ridinghourse; ICA, 2002.
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-. 
- 
-. 
  
 === Afternoon === === Afternoon ===
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 Boon, Marcus. In Praise of Copying. Cambridge, Mass: Harvard University Press, 2010. [[http://www.hup.harvard.edu/features/in-praise-of-copying/]]. Boon, Marcus. In Praise of Copying. Cambridge, Mass: Harvard University Press, 2010. [[http://www.hup.harvard.edu/features/in-praise-of-copying/]].
  
-1/ What Is a Copy? +  * 1/ What Is a Copy? 
- +  * 3/ Copying as Transformation 
-3/ Copying as Transformation +  * 7/ Copying as Appropriation
- +
-7/ Copying as Appropriation+
  
 //Read one chapter per group, select key ideas from text (copy to pad), and prepare for the discussion.// //Read one chapter per group, select key ideas from text (copy to pad), and prepare for the discussion.//
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