Show pageOld revisionsBacklinksExport to PDFODT exportBack to top This page is read only. You can view the source, but not change it. Ask your administrator if you think this is wrong. ====== Feb 20, 2018: The Cannibal from Brazil ====== Oswald de Andrade, 1928.[[https://www.academia.edu/1424345/Cannibalist_Manifesto|Cannibalist Manifesto]] transl. Leslie BarySource: Latin American Literary Review, Vol. 19, No. 38 (Jul. - Dec., 1991), pp. 38-47 Dunn, Christopher 1996. [[https://www.jstor.org/stable/2935353|The Tropicalista Rebellion. Interview with Caetano Veloso]]. Transition(70): 116. Caetano Veloso, [[https://genius.com/Caetano-veloso-tropicalia-lyrics|Tropicalia]], 1968 Hélio Oiticica. [[http://www.tate.org.uk/art/artworks/oiticica-tropicalia-penetrables-pn-2-purity-is-a-myth-and-pn-3-imagetical-t12414|Tropicália]], 1966/67 ([[https://media.wmagazine.com/photos/597b8bb23902e22681154a39/master/pass/xlarge_Helio_Oiticica-To_Organize_Delirium-3.jpg|Installation View,]] [[https://www.wmagazine.com/story/helio-oiticica-whitney-museum-exhibition-instagram|Whitney Museum]] 2017) Democracy Now! [[https://www.democracynow.org/2008/6/25/from_political_prisoner_to_cabinet_minister|From Political Prisoner to Cabinet Minister: Legendary Brazilian Musician Gilberto Gil on His Life, His Music and the Digital Divide]]. JUNE 25, 2008 ====== Mar 6, 2018: Cutting and Recombining ====== William Burroughs. 1962. [[http://omeka.wustl.edu/omeka/items/show/9535|The Invisible Generation]] ([[http://asounder.org/resources/burroughs_invisible.pdf|PDF)]], **ALL:** William Burroughs. 1961/178. [[htp://creative.colorado.edu/atlas2200/pdf/burrough.pdf|The Cut-Up Method of Brion Gysin]]. Reprint New Media Reader. Mark America. 2011. RemixtheBook. University of Minnesota Press (Chapter[[http://www.remixthebook.com/the-course/cut-ups| Literary Cut-ups]]) Calvino, Italo. 1967/1986. [[https://www.scribd.com/document/36431641/Italo-Calvino-Cybernetics-and-Ghosts|Cybernetics & Ghost]]. In: The Uses of Literature. San Diego, New York,London. Harcourt Brace & Company pp. 3 to 27 Raymond Queneau: Cent mille milliards de poèmes. Gallimard, Paris 1961 [[https://www.youtube.com/watch?v=2NhFoSFNQMQ | Arte Segment]] http://www.bevrowe.info/Queneau/QueneauRandom_v4.html http://x42.com/active/queneau.html **Student presentation:**: Gabriele & <del>Ivana</del> ====== Mar 20, 2018 Music Concrète and Found Footage ====== Halim El-Dabh (1921-2017). The Expression of Zaar/The Wire Piece. 1944 John Cage. [[http://www.medienkunstnetz.de/works/williams-mix/audio/1/|William's Mix.]] 1952 Pierre Schaeffer: Etude aux chemins de fer, 1948 Pierre Schaeffer, Pierre Henry: [[https://vimeo.com/34209212 |Symphonie pour un Homme Seul]], 1949 Holmes, Thom. 2008.// Electronic and Experimental Music: Technology, Music, and Culture.// 3rd ed. New York: Routledge. (Chapter: Music Concrete in France. S. 46-56) Hausheer, Celilia und Christoph Settele (1992): //Found footage film//, Luzern: VIPER/Zyklop-Verlag. Charles A. Ridley. [[https://www.youtube.com/watch?v=gYdmk3GP3iM | Lambeth Walk: Nazi Style]], 1941, 2:18 Min. Burce Conner: A Movie, 1958, 12 Min Dara Birnbaum. Technology/Transformation: Wonder Woman, 1978. 5 Min. Martin Arnold. Piece Touchée, 1989, 15 Min. Rick Prelinger: [[https://archive.org/details/ThisIsPr2001# | This is Prelinger Archive]]. 2001 Christian Marclay. Telephones, 1995 **Student presentation:** Tim ====== Apr 3, 2018 Analog & Postmodern: Appropriation Art ====== Crimp, Douglas. 1977 [[https://monoskop.org/images/1/10/Pictures_1977_catalogue.pdf | Pictures]], New York: [[http://artistsspace.org/exhibitions/pictures | Artists Space]], 1977, 30 pp * Jack Goldstein [[http://ubu.com/film/goldstein_jump.html | The Jump]], 1979, 00:52 * Joan Jonas [[http://ubu.com/film/jonas_disturbances.html | Disturbances]], 1974, 11:00 Crimp, Douglas. 1982/1993 [[https://monoskop.org/images/a/af/Crimp_Douglas_1982_Appropriating_Appropriation.pdf | "Appropriating Appropriation"]], in Image Scavengers: Photography, ed. Paula Marincola, Institute of Contemporary Art/University of Pennsylvania Press, 1982, pp 27-34; repr. in Crimp, On the Museum's Ruins, 1993, pp 126-137. * Michael Graves, [[https://en.wikipedia.org/wiki/Portland_Building | Portland Municipal Services Building]], 1982 * Frank Gehry [[https://www.archdaily.com/67321/gehry-residence-frank-gehry Gehry | Residence]], 1978 * [[http://www.mapplethorpe.org | Robert Mapplethorpe]] * [[http://magazine.art21.org/2011/04/15/how-to-explain-sherrie-levine-to-your-grandmother/ | How to Explain Sherrie Levine to Your Grandmother]], Art21, 2011 Buskirk, Martha. 1994. “Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson.” October 70(Autumn): 98–112 {{ ::buskirk1994.pdf |}} Michael Mandiberg. [[http://www.aftersherrielevine.com/index.html|AfterSherryLevine.com]] 2001 Metropolitan Museum of Art, [[https://www.metmuseum.org/exhibitions/listings/2009/pictures-generation | The Pictures Generation, 1974–1984]], 2009 * Jerry Saltz [[http://www.artnet.com/magazineus/features/saltz/saltz5-18-09.asp | Great Artists Steal]], ArtNet, 2009 Richard Prince: * [[https://www.guggenheim.org/arts-curriculum/topic/cowboys |Cowboys, 1989]] ,[[https://www.youtube.com/watch?v=bxySP5R-IWs |Untitled (Cowboy): Behind Richard Prince's Photographs & Appropriation]], Time Magazine, 2016, 14 Min * "Canal Zone." Prince vs. Carriou, The question of fair use [[http://www.herrick.com/publications/the-transformation-of-fair-use-after-prince-v-cariou |The ‘Transformation’ of Fair Use After Prince v. Cariou]] 2014 * "New Portraits." Prince & Instagram [[Law Suit), [[https://www.theguardian.com/artanddesign/2015/may/27/suicide-girls-richard-prince-copying-instagram| Suicide Girls' reaction]] [[https://news.artnet.com/market/art-flippers-suicide-girls-richard-prince-prints-324580 | reselling re-appropriation]] **Student presentation:** Alexander & Marc ====== Apr 17, 2018 Digital Condition ====== Stalder, Felix. 2018. The Digital Condition. Cambridge, UK ; Medford, MA: Polity Press. Section: Referentiality p. 59-79 Sonvilla-Weiss, Stefan. 2015. „Good Artists Copy, Great Artists Steal. Reflections on Cut-Copy-Paste Culture“, in: Navas, Eduardo, Owen Gallagher und Xtine Burrough (Hrsg.): The Routledge companion to remix studies, New York: Routledge, Taylor & Francis Group, S. 54–67. Stalder, Felix (2009) [[https://irights.info/artikel/neun-thesen-zur-remix-kultur/5767 | Neun Thesen zur Remix-Kultur]]. **Student presentation:** Glary & Jonas ====== Apr 24, 2018 From Net.art to Meme Culture ====== [[http://art.teleportacia.org | Olia Liania]], Ausstellung, [[http://www.roehrsboetsch.com/exhibitions/detail/olia-lialina-lossless/about/ | Lossless]] ROEHRS & BOETSCH GALLERY, ZH, 26.4 — 23.6 2018 N [[http://www.hek.ch/projekte/net-based-award-2018.html | net-based art award, 2018]] [[https://www.britannica.com/topic/meme|Meme (cultural concept]]). Britannica Patrick Davison, 2012 [[http://veryinteractive.net/library/the-language-of-internet-memes|The Language of Internet Memes]]. from The Social Media Reader edited by Michael Mandiberg, 2012 Jackson, Laur M., 2016 [[https://modelviewculture.com/pieces/the-blackness-of-meme-movement | The Blackness of Meme Movement]] modelviewculture.com «[[http://www.kunsthallesanktgallen.ch/en/exhibition/the-darknet-in-zusammenarbeit-mit-mediengruppe-bitnik-c280fb8c.html|The Darknet – From Memes to Onionland. An Exploration]]» In cooperation with !Mediengruppe Bitnik and :digital brainstorming18th Kunsthall St. Gallen. October 2014 – 11th January 2015 [[http://knowyourmeme.com/memes nowyourmeme.com]] [[https://vimeo.com/140265561 | The Story of Technoviking]], Matthias Fritsch, 2016, [[https://www.youtube.com/watch?v=-8H4GKg-mYQ | Kneecam No.1]] Matthias Fritsch, 2000 [[http://nkhstudio.com/ | Nate Harrison]] Can I Get An Amen?, 2004 **Student presentation:** Tim Li & Many Ma & Max ====== May 8, 2018 Reinactment as artistic strategy ====== Arns, Inke, and Horn Gabriele. 2007. History Will Repeat Itself. Frankfurt a.M.: Revolver, Archiv für aktuelle Kunst * [[http://en.inkearns.de/files/2011/05/HWRI-Arns-Kat-2007-engl.pdf | Curatorial Text]] * [[https://www.hmkv.de/programm/programmpunkte/2007/Ausstellungen/History2007.php | exhibition website]] Mike Figgins. The Battle of Ogreave, GB, 2001, 63 Min Fondazione Prada.[[http://www.fondazioneprada.org/project/when-attitudes-become-form/?lang=en| WHEN ATTITUDES BECOME FORM: BERN 1969/VENICE 2013]] **Student presentation:** Claudia ====== May 22, 2018 Limits Appropriation ====== Young, James O. 2008. Cultural Appropriation and the Arts. Malden, MA: Blackwell Publishing. Reading: Introduction (p.1-9, 18-31), Chapter 4: Cultural Appropriation as Assault (p. 106-120), Conclusion (p.152-153) **Controversy: Dana Schutz “Open Casket”, 2016** * [[https://www.youtube.com/watch?v=4V6ffUUEvaM | The Body Of Emmett Till | 100 Photos | TIME]] * [[https://news.artnet.com/art-world/dana-schutz-painting-emmett-till-whitney-biennial-protest-897929 | Dana Schutz’s Painting of Emmett Till at Whitney Biennial Sparks Protest]] Artnet News, March 21, 2017 * [[https://news.artnet.com/art-world/dana-schutz-responds-to-the-uproar-over-her-emmett-till-painting-900674 | Dana Schutz Responds to the Uproar Over Her Emmett Till Painting at the Whitney Biennial]] Artnet News, March 23, 2017 * Speidel, Klaus. 2017. “[[https://www.spikeartmagazine.com/en/articles/dana-schutzs-open-casket-controversy-around-painting-symptom-art-world-malady | Dana Schutz’s ‘Open Casket’: A Controversy around a Painting as a Symptom of an Art World Malady.]]” Spike Art Magazine. March 24, 2017. * Michaels, Walter Benn. 2018. “Who Gets Ownership of Pain and Victimhood?” Le Monde Diplomatique, May 2018. https://mondediplo.com/2018/05/14race-class. **Student presentation:** Demian & Desiree appropriation_in_art_and_culture.txt Last modified: 2018/05/22 07:38by fstalder