===== Z-Modul Kunst + Künstliche Intelligenz =====

Montag 31. August bis Freitag 11. September, 2020, Projektraum: Galerie 1+2 (4.K13+5.K09)

**Lecturers **

Andreas Kohli. DKV BA Art Education || Felix Stalder, DFA BA Fine Arts || Olivier Pasquet, DMU Wissenschaftlicher Mitarbeiter ICST || René Bauer, DDE Leitung MA Game Design, Game Lab

**Guests**

Gian-Marco Hutter, ETH Zürich / ICST || Heather Barnett. Pathway Leader on the MA Art and Science UAL || Joëlle Bitton, Lecturer Interaction Design || Manuel Fritsche, ETH Zürich / ICST || Nuria Krämer, Deputy Head of Transcultural Collaboration || Stella Speziali, Research Associate Immersive Arts Space

**General Resources for the Module **

[[https://blog.zhdk.ch/artai/|Blog]]

[[https://www.ixistenz.ch/index.php?diff=2415|ixistenz.ch]]

[[https://paul.zhdk.ch/mod/folder/view.php?id=21907|Literature on Paul]]

==== My Input ====


=== Watching Machines See ===

  * !Mediengruppe Bitnik [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/samesame/|SAME SAME. WATCHING ALGORITHMS - CABARET VOLTAIRE EDITION]] 2015 
  * Mario Klingemann & Simon Doury [[https://experiments.withgoogle.com/x-degrees-of-separation|X Degrees of Separation]], 2018 
  * !Mediengruppe Bitnik! [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/sor/|Dada. State of the Reference]], 2017


=== Boundaries between human and the non-human ===

Latour, Bruno. 1989. [[https://courses.ischool.berkeley.edu/i290-tpl/s11/w/images/6/69/The_Moral_Dilemmas_of_a_Safety-belt.pdf|“The Moral Dilemmas of a Safety-Belt.”]] Translated by Lydia Davis. Traduction Inédite En Anglais.

Dvorsky, George. 2013.[[https://io9.gizmodo.com/freakishly-realistic-telemarketing-robots-are-denying-t-1481050295| “Freakishly Realistic Telemarketing Robots Are Denying They’re Robots.”]]. Io9.Gizmodo.Com (Dec. 12). 2013.

Dvorsky, George. 2013. [[https://io9.gizmodo.com/robot-denying-telemarketing-robot-may-not-actually-be-a-1485617146|“Robot-Denying Telemarketing Robot May Not Actually Be a Robot.”]] Io9.Gizmodo.Com (Dec. 18). 2013.

MTurk: “artificial artificial intelligence" (Jeff Bezos)

Hitlin, Paul. 2016. [[http://www.pewinternet.org/2016/07/11/research-in-the-crowdsourcing-age-a-case-study|“Research in the Crowdsourcing Age, a Case Study.”]] Pew Research Center (July).

Crockett, Zachary. 2019. [[https://thehustle.co/making-money-on-amazon-mechanical-turk|“How Much Money Can You Make on Amazon Mechanical Turk?”]] The Hustle (July 13). 2019.


=== Authorship, Copyright and AI ===

Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10'000)

  * [[https://obvious-art.com/| Obvious Group]]
  * [[http://robbiebarrat.github.io|Robbie Barrat]]
  * Vincent, James. 2018. [[https://www.theverge.com/2018/10/23/18013190/ai-art-portrait-auction-christies-belamy-obvious-robbie-barrat-gans|“How Three French Students Used Borrowed Code to Put the First AI Portrait in Christie’s.”]] The Verge. (October 23). 
  * Christie’s. 2018. [[https://www.christies.com/features/A-collaboration-between-two-artists-one-human-one-a-machine-9332-1.aspx|“The First Piece of AI-Generated Art to Come to Auctio]] Christie’s.” Christies.Com (Dec. 12).
  * Boddington, Ruby. 2020. [[https://www.itsnicethat.com/features/ones-to-watch-2020-robbie-barrat-digital-240220|“‘These Are Important Visual Moments’: Artist Robbie Barrat Pushes, Tests and Breaks AI in His Works.”]] It’s Nice That (February 24).

Cornelia Sollfrank:  [[http://net.art-generator.com|Net.Art Generator]] Smart Artists make the machine do the work, since 1997

  * [[http://artwarez.org/19.0.html|Legal Perspective]], 2004, Plug-in Basel
  * Stalder, Felix. 2014. [[https://www.artlog.net/de/kunstbulletin-1-2-2014/urheberrecht-wenn-das-recht-kunstfeindlich-wird|“Urheberrecht - Wenn das Recht kunstfeindlich wird.”]] //Kunstbulletin//, 2014.