Oswald de Andrade, 1928.Cannibalist Manifesto transl. Leslie BarySource: Latin American Literary Review, Vol. 19, No. 38 (Jul. - Dec., 1991), pp. 38-47

Dunn, Christopher 1996. The Tropicalista Rebellion. Interview with Caetano Veloso. Transition(70): 116.

Caetano Veloso, Tropicalia, 1968

Hélio Oiticica. Tropicália, 1966/67 (Installation View, Whitney Museum 2017)

Democracy Now! From Political Prisoner to Cabinet Minister: Legendary Brazilian Musician Gilberto Gil on His Life, His Music and the Digital Divide. JUNE 25, 2008

William Burroughs. 1962. The Invisible Generation (PDF),

ALL: William Burroughs. 1961/178. The Cut-Up Method of Brion Gysin. Reprint New Media Reader.

Mark America. 2011. RemixtheBook. University of Minnesota Press (Chapter Literary Cut-ups)

Calvino, Italo. 1967/1986. Cybernetics & Ghost. In: The Uses of Literature. San Diego, New York,London. Harcourt Brace & Company pp. 3 to 27

Raymond Queneau: Cent mille milliards de poèmes. Gallimard, Paris 1961 Arte Segment

http://www.bevrowe.info/Queneau/QueneauRandom_v4.html http://x42.com/active/queneau.html

Student presentation:: Gabriele & Ivana

Halim El-Dabh (1921-2017). The Expression of Zaar/The Wire Piece. 1944

John Cage. William's Mix. 1952

Pierre Schaeffer: Etude aux chemins de fer, 1948

Pierre Schaeffer, Pierre Henry: Symphonie pour un Homme Seul, 1949

Holmes, Thom. 2008. Electronic and Experimental Music: Technology, Music, and Culture. 3rd ed. New York: Routledge. (Chapter: Music Concrete in France. S. 46-56)

Hausheer, Celilia und Christoph Settele (1992): Found footage film, Luzern: VIPER/Zyklop-Verlag.

Charles A. Ridley. Lambeth Walk: Nazi Style, 1941, 2:18 Min.

Burce Conner: A Movie, 1958, 12 Min

Dara Birnbaum. Technology/Transformation: Wonder Woman, 1978. 5 Min.

Martin Arnold. Piece Touchée, 1989, 15 Min.

Rick Prelinger: This is Prelinger Archive. 2001

Christian Marclay. Telephones, 1995

Student presentation: Tim

Crimp, Douglas. 1977 Pictures, New York: Artists Space, 1977, 30 pp

• Jack Goldstein The Jump, 1979, 00:52
• Joan Jonas Disturbances, 1974, 11:00

Crimp, Douglas. 1982/1993 "Appropriating Appropriation", in Image Scavengers: Photography, ed. Paula Marincola, Institute of Contemporary Art/University of Pennsylvania Press, 1982, pp 27-34; repr. in Crimp, On the Museum's Ruins, 1993, pp 126-137.

• Michael Graves, Portland Municipal Services Building, 1982
• Frank Gehry Residence, 1978
• Robert Mapplethorpe
• How to Explain Sherrie Levine to Your Grandmother, Art21, 2011

Buskirk, Martha. 1994. “Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson.” October 70(Autumn): 98–112 buskirk1994.pdf

Michael Mandiberg. AfterSherryLevine.com 2001

Metropolitan Museum of Art, The Pictures Generation, 1974–1984, 2009

• Jerry Saltz Great Artists Steal, ArtNet, 2009

Richard Prince:

• Cowboys, 1989 ,Untitled (Cowboy): Behind Richard Prince's Photographs & Appropriation, Time Magazine, 2016, 14 Min
• “Canal Zone.” Prince vs. Carriou, The question of fair use The ‘Transformation’ of Fair Use After Prince v. Cariou 2014
• “New Portraits.” Prince & Instagram Suicide Girls' reaction reselling re-appropriation

Student presentation: Alexander & Marc

Stalder, Felix. 2018. The Digital Condition. Cambridge, UK ; Medford, MA: Polity Press. Section: Referentiality p. 59-79

Sonvilla-Weiss, Stefan. 2015. „Good Artists Copy, Great Artists Steal. Reflections on Cut-Copy-Paste Culture“, in: Navas, Eduardo, Owen Gallagher und Xtine Burrough (Hrsg.): The Routledge companion to remix studies, New York: Routledge, Taylor & Francis Group, S. 54–67.

Stalder, Felix (2009) Neun Thesen zur Remix-Kultur.

Student presentation: Glary & Jonas

Olia Liania, Ausstellung, Lossless ROEHRS & BOETSCH GALLERY, ZH, 26.4 — 23.6 2018 N

net-based art award, 2018

Meme (cultural concept). Britannica

Patrick Davison, 2012 The Language of Internet Memes. from The Social Media Reader edited by Michael Mandiberg, 2012

«The Darknet – From Memes to Onionland. An Exploration» In cooperation with !Mediengruppe Bitnik and :digital brainstorming18th Kunsthall St. Gallen. October 2014 – 11th January 2015

http://knowyourmeme.com/memes nowyourmeme.com

The Story of Technoviking, Matthias Fritsch, 2016, Kneecam No.1 Matthias Fritsch, 2000

Student presentation: Tim Li & Many Ma & Max

Arns, Inke, and Horn Gabriele. 2007. History Will Repeat Itself. Frankfurt a.M.: Revolver, Archiv für aktuelle Kunst.

Mike Figgins. The Battle of Ogreave, GB, 2001, 63 Min

Fondazione Prada. WHEN ATTITUDES BECOME FORM: BERN 1969/VENICE 2013

Student presentation: Claudia

Lionel Shriver. 'I hope the concept of cultural appropriation is a passing fad'. The Guardian, 13.09.2016

Yassmin Abdel-Magied. As Lionel Shriver made light of identity, I had no choice but to walk out on her. The Guardian, 10.09.2016

Student presentation: Demian