kunst_kuenstliche_intelligenz

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision		 Previous revision
kunst_kuenstliche_intelligenz [2020/08/30 15:20] – fstalderkunst_kuenstliche_intelligenz [2020/09/01 09:41] (current) – [My Input] fstalder
Line 1: Line 1:
-**Z-Modul Kunst + Künstliche Intelligenz **+===== Z-Modul Kunst + Künstliche Intelligenz =====
  
-Datum: Montag 31. August bis Freitag 11. September, 2020+Montag 31. August bis Freitag 11. September, 2020, Projektraum: Galerie 1+2 (4.K13+5.K09)
  
-Ort: Projektraum: Galerie 1+2 (4.K13+5.K09)+**Lecturers **
  
-Dozenten:+Andreas Kohli. DKV BA Art Education || Felix Stalder, DFA BA Fine Arts || Olivier Pasquet, DMU Wissenschaftlicher Mitarbeiter ICST || René Bauer, DDE Leitung MA Game Design, Game Lab
  
-**Seeing Machines Seeing**+**Guests** 
 + 
 +Gian-Marco Hutter, ETH Zürich / ICST || Heather Barnett. Pathway Leader on the MA Art and Science UAL || Joëlle Bitton, Lecturer Interaction Design || Manuel Fritsche, ETH Zürich / ICST || Nuria Krämer, Deputy Head of Transcultural Collaboration || Stella Speziali, Research Associate Immersive Arts Space 
 + 
 +**General Resources for the Module ** 
 + 
 +[[https://blog.zhdk.ch/artai/|Blog]] 
 + 
 +[[https://www.ixistenz.ch/index.php?diff=2415|ixistenz.ch]] 
 + 
 +[[https://paul.zhdk.ch/mod/folder/view.php?id=21907|Literature on Paul]] 
 + 
 +==== My Input ==== 
 + 
 + 
 +=== Watching Machines See ===
  
   * !Mediengruppe Bitnik [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/samesame/|SAME SAME. WATCHING ALGORITHMS - CABARET VOLTAIRE EDITION]] 2015    * !Mediengruppe Bitnik [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/samesame/|SAME SAME. WATCHING ALGORITHMS - CABARET VOLTAIRE EDITION]] 2015 
Line 13: Line 28:
   * !Mediengruppe Bitnik! [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/sor/|Dada. State of the Reference]], 2017   * !Mediengruppe Bitnik! [[https://wwwwwwwwwwwwwwwwwwwwww.bitnik.org/sor/|Dada. State of the Reference]], 2017
  
-**Boundaries between human and the non-human** 
  
-Latour, Bruno. 1989. “The Moral Dilemmas of a Safety-Belt.” Translated by Lydia Davis. Traduction Inédite En Anglais. [[https://courses.ischool.berkeley.edu/i290-tpl/s11/w/images/6/69/The_Moral_Dilemmas_of_a_Safety-belt.pdf]]+=== Boundaries between human and the non-human ===
  
-Dvorsky, George. 2013. “Freakishly Realistic Telemarketing Robots Are Denying They’re Robots.” Io9.Gizmodo.Com (Dec. 12). 2013. [[https://io9.gizmodo.com/freakishly-realistic-telemarketing-robots-are-denying-t-1481050295]].+Latour, Bruno. 1989. [[https://courses.ischool.berkeley.edu/i290-tpl/s11/w/images/6/69/The_Moral_Dilemmas_of_a_Safety-belt.pdf|“The Moral Dilemmas of a Safety-Belt.”]] Translated by Lydia Davis. Traduction Inédite En Anglais.
  
-Dvorsky, George. 2013. “Robot-Denying Telemarketing Robot May Not Actually Be a Robot.” Io9.Gizmodo.Com (Dec. 18). 2013. [[https://io9.gizmodo.com/robot-denying-telemarketing-robot-may-not-actually-be-a-1485617146]].+Dvorsky, George. 2013.[[https://io9.gizmodo.com/freakishly-realistic-telemarketing-robots-are-denying-t-1481050295| “Freakishly Realistic Telemarketing Robots Are Denying They’re Robots.”]]. Io9.Gizmodo.Com (Dec. 12). 2013. 
 + 
 +Dvorsky, George. 2013. [[https://io9.gizmodo.com/robot-denying-telemarketing-robot-may-not-actually-be-a-1485617146|“Robot-Denying Telemarketing Robot May Not Actually Be a Robot.”]] Io9.Gizmodo.Com (Dec. 18). 2013.
  
 MTurk: “artificial artificial intelligence" (Jeff Bezos) MTurk: “artificial artificial intelligence" (Jeff Bezos)
  
-Hitlin, Paul. 2016. “Research in the Crowdsourcing Age, a Case Study.” Pew Research Center (July). [[http://www.pewinternet.org/2016/07/11/research-in-the-crowdsourcing-age-a-case-study/]].+Hitlin, Paul. 2016. [[http://www.pewinternet.org/2016/07/11/research-in-the-crowdsourcing-age-a-case-study|“Research in the Crowdsourcing Age, a Case Study.”]] Pew Research Center (July). 
 + 
 +Crockett, Zachary. 2019. [[https://thehustle.co/making-money-on-amazon-mechanical-turk|“How Much Money Can You Make on Amazon Mechanical Turk?”]] The Hustle (July 13). 2019.
  
-Crockett, Zachary. 2019. “How Much Money Can You Make on Amazon Mechanical Turk?” The Hustle (July 13). 2019. [[https://thehustle.co/making-money-on-amazon-mechanical-turk/]]. 
  
-**Authorship, Copyright and AI**+=== Authorship, Copyright and AI ===
  
 Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10'000) Portrait of Edmond Belamy, 2018 by Obvious (Pierre Fautrel, Hugo Caselles-Dupré and Gauthier Vernier) Sold for $432,500 at Christie’s (Oct 25), (selling estimate: 10'000)
  
   * [[https://obvious-art.com/| Obvious Group]]   * [[https://obvious-art.com/| Obvious Group]]
-  * [[__robbiebarrat.github.io|Robbie Barrat]]__ +  * [[http://robbiebarrat.github.io|Robbie Barrat]] 
-  * Vincent, James. 2018. “How Three French Students Used Borrowed Code to Put the First AI Portrait in Christie’s.” The Verge. (October 23). [[https://www.theverge.com/2018/10/23/18013190/ai-art-portrait-auction-christies-belamy-obvious-robbie-barrat-gans]]. +  * Vincent, James. 2018. [[https://www.theverge.com/2018/10/23/18013190/ai-art-portrait-auction-christies-belamy-obvious-robbie-barrat-gans|“How Three French Students Used Borrowed Code to Put the First AI Portrait in Christie’s.”]] The Verge. (October 23).  
-  * Christie’s. 2018. “The First Piece of AI-Generated Art to Come to Auction | Christie’s.” Christies.Com (Dec. 12). 2018. [[https://www.christies.com/features/A-collaboration-between-two-artists-one-human-one-a-machine-9332-1.aspx]]. +  * Christie’s. 2018. [[https://www.christies.com/features/A-collaboration-between-two-artists-one-human-one-a-machine-9332-1.aspx|“The First Piece of AI-Generated Art to Come to Auctio]] Christie’s.” Christies.Com (Dec. 12). 
-  * Boddington, Ruby. 2020. “‘These Are Important Visual Moments’: Artist Robbie Barrat Pushes, Tests and Breaks AI in His Works.” It’s Nice That (February 24). 2020. [[https://www.itsnicethat.com/features/ones-to-watch-2020-robbie-barrat-digital-240220]]. +  * Boddington, Ruby. 2020. [[https://www.itsnicethat.com/features/ones-to-watch-2020-robbie-barrat-digital-240220|“‘These Are Important Visual Moments’: Artist Robbie Barrat Pushes, Tests and Breaks AI in His Works.”]] It’s Nice That (February 24).
-  *+
  
-Cornelia Sollfrank: Net.Art Generator, 1997- Smart Artists make the machine do the work [[http://net.art-generator.com]]+Cornelia Sollfrank:  [[http://net.art-generator.com|Net.Art Generator]] Smart Artists make the machine do the work, since 1997
  
-  * Legal Perspective, Plug-in Basel +  * [[http://artwarez.org/19.0.html|Legal Perspective]], 2004, Plug-in Basel 
-  * Stalder, Felix. 2014. “Urheberrecht - Wenn Das Recht Kunstfeindlich Wird.” //Kunstbulletin//, 2014. https://www.artlog.net/de/kunstbulletin-1-2-2014/urheberrecht-wenn-das-recht-kunstfeindlich-wird.+  * Stalder, Felix. 2014. [[https://www.artlog.net/de/kunstbulletin-1-2-2014/urheberrecht-wenn-das-recht-kunstfeindlich-wird|“Urheberrecht - Wenn das Recht kunstfeindlich wird.”]] //Kunstbulletin//, 2014.
  
  
  • kunst_kuenstliche_intelligenz.1598793653.txt.gz
  • Last modified: 2020/08/30 15:20
  • by fstalder