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artikulation [2015/10/02 17:41] – lbennettartikulation [2015/10/02 18:06] (current) – lbennett
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 ==Performance of January 29, 2015== ==Performance of January 29, 2015==
 For this performance, a de-noised version of the audio was used (s. above). 4 speakers were positioned to form a rhombus around the audience. This disposition was doubled above, using a total of 8 speakers. The more impulse-like sounds were generally played on the lower speakers, while in passages using more reverberation; the sound was moved to the upper speakers. In addition to this, impulse-like sounds were amplified in order to highlight the dynamics as well as the polyphony of the piece. For this performance, a de-noised version of the audio was used (s. above). 4 speakers were positioned to form a rhombus around the audience. This disposition was doubled above, using a total of 8 speakers. The more impulse-like sounds were generally played on the lower speakers, while in passages using more reverberation; the sound was moved to the upper speakers. In addition to this, impulse-like sounds were amplified in order to highlight the dynamics as well as the polyphony of the piece.
 +
 +===Outlook===
 +In order to preserve the audio in the best quality, it would be important to study all the audio sources available at WDR and/or Schott, so that the appropriate source(s) for a new analogue to digital transfer could be determined. 
  
 ===Select bibliography=== ===Select bibliography===
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 Wehinger Rainer, Ligeti, György, //Artikulation: elektronische Musik: eine Hörpartitur von Rainer Wehinger//. Mainz: Schott, 1970 [Introduction, in German] Wehinger Rainer, Ligeti, György, //Artikulation: elektronische Musik: eine Hörpartitur von Rainer Wehinger//. Mainz: Schott, 1970 [Introduction, in German]
 +
 +===Documentation===
 +The audio items and documents mentioned in this report can be consulted upon request at ICST, Zurich and/or Paul Sacher Stiftung, Basel.
 +
  
  
artikulation.1443800515.txt.gz · Last modified: 2015/10/02 17:41 by lbennett