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--- post-human_photography_and_the_question_of_the_real [2024/04/21 18:10] – [Friday] fstalder@zhdk.ch
+++ post-human_photography_and_the_question_of_the_real [2024/04/26 12:27] (current) – [Friday] fstalder@zhdk.ch
@@ Line 47: / Line 47: @@
 Michael Aschauer
-  * River Studies https://m.ash.to/en/Projects/riverstudies
+  * River Studies https://m.ash.to/projects/riverstudies
-  * Rivers as lines https://m.ash.to/en/Projects/WhatIfYouWouldPullRiversToAStraightLine
+  * Rivers as lines
-  * 7C-Days https://m.ash.to/en/Projects/7cdays
+  * 7C-Days
 Abu Ishaq al-Istakhri, 10th Century
@@ Line 83: / Line 83: @@
 Realism, 19th Century Painting, Gustave Courbet (1819–1877) https://www.metmuseum.org/toah/hd/rlsm/hd_rlsm.htm
+[[https://www.xibtmagazine.com/2018/01/neue-sachlichkeit-photography|Neue Sachlichkeit]], [[https://www.tate.org.uk/art/artists/bernd-becher-and-hilla-becher-718/who-are-bechers|Bernd und Hilla Becher]]
 Tsiga Vertov: Kino-Pravda (1920s). [[https://www.youtube.com/watch?v=3GyNB4-eN1E|Man with the Movie Camera]], 1929 64 min (Soundtrack: Cinematic Orchestra, 2000)
@@ Line 131: / Line 133: @@
 ===== Thursday =====
-=== Operational Images and Platform Seeing ===
+**We start at 11:30 and attend the screening at 18:00.**
-Harun Farocki: [[https://www.harunfarocki.de/installations/2000s/2003/eye-machine-iii.html|Eye/Machine III]], 2003
+=== Operational Images ===
+Harun Farocki: [[https://www.harunfarocki.de/films/2000s/2003/war-at-a-distance.html|War at a Distance]], 58min, 2003
+Farocki, Harun. “[[https://monoskop.org/File:Farocki_Harun_2004_Phantom_Images.pdf|Phantom Images]].” Public, no. 29, Localities (2004): 10–24.
 Mischka Henner, [[https://mishkahenner.com/Feedlots|Feedlots]], 2013
-Parikka, Jussi. Operational Images: From the Visual to the Invisual. Minneapolis [Minnesota]: University of Minnesota Press, 2023. (read: Platform Operations, p. 66-73)
+Parikka, Jussi. Operational Images: From the Visual to the Invisual. Minneapolis [Minnesota]: University of Minnesota Press, 2023. (read: Platform Operations, p. 66-73) {{ ::operational_images_from_the_visual_to_the_-_jussi_parikka_66-73..pdf |PDF}}
 === Platform Realism ===
+Guest: Roland Meyer
+"second-order aesthetics of generic visuality"
+"primacy of the say-able over the see-able"
+  * https://bjoernkarmann.dk/project/paragraphica
+  * [[https://www.theverge.com/2023/12/2/23985299/iphone-bridal-photo-three-poses-explanation-panorama-photoshop-generative-ai|Bride in three mirrors]] iPhone Photo
+  * MacKenzie, A., & Munster, A. (2019). Platform Seeing: Image Ensembles and Their Invisualities. Theory, Culture & Society, 36(5), 3-22. https://doi.org/10.1177/0263276419847508
+  * Steyerl, Hito. “[[https://newleftreview.org/issues/ii140/articles/hito-steyerl-mean-images|Mean Images]].” New Left Review, no. 140/141 (April 28, 2023): 82–97.
+  * Christo Buschek & Jer Thorp. [[https://knowingmachines.org/models-all-the-way|Models All The Way Down]]. A Knowing Machines Project
+  *  [[https://laion.ai/blog/laion-aesthetics/|LAION-Aesthetics]]
-Guest: Roland Mayer
 Eryk Salvaggio: [[https://www.cyberneticforests.com/news/flowers-blooming-backward-into-noise-2023|Flowers Blooming Backward Into Noise]] (2023), 19:20
@@ Line 159: / Line 177: @@
 Jennifer Gnabris, Helen Pritschard. Sensing Practices.  in Braidotti, Rosi, and Maria Hlavajova, eds. 2018. Posthuman Glossary. Theory. London Oxford New York New Delhi Sydney: Bloomsbury Academic {{ :posthuman_glossary_-_sensing_practices_gnabris_pritchard.pdf |PDF}}
-Fuller, Matthew, and Eyal Weizman. Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. Brooklyn: Verso Books, 2021. (Read: Aesthetics beyond Perception, pp. 3-41)
+Fuller, Matthew, and Eyal Weizman. Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. Brooklyn: Verso Books, 2021. (Read: {{ ::fuller_weizmann_aesthetics_beyond_perception.pdf |Aesthetics beyond Perception}}, pp. 33-41)
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-Parikka, J. (2023) Operational images: from the visual to the invisual. Minneapolis: University of Minnesota Press.