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--- brawlhalla [2022/06/10 08:36] – dstettle
+++ brawlhalla [2022/06/10 09:11] (aktuell) – dstettle
@@ Zeile 62: / Zeile 62: @@
 ===== 6. Comparison of Super Streetfighter II & Brawlhalla =====
+==== 6.2 Physicality ====
 It is very apparent where the roots of most fighting games lie, Street Fighter II. Maybe it is easier to see where there are similarities between the two products. At some point a certain aspect, somewhat an inevitable realization happens, what makes these titles believable is the characteristic play of weight. All actions deal with a reaction, if hitting successfully the players get rewarded by a sound of impact, besides the fact that HP-bars get visually deminished (although most of the time characters also react with sound when being hit).
 If we speak about physicalities let's go even further, weight implies speed and way of movement. While Street Fighter relies more on fist fights, Brawlhalla brings different elements or rather materials into the scene which further improve the amounts of possible sounds.
+=== 6.2.1 Orientation ===
 As stated with the different potential actions, the difficulty of deciphering movement increases, but in both titles sound is used in order to let players rely on their ears and through that possibly reduce reaction times, which is crucial for games of this genre.
-They are alike in dimensions, so to speak both enable the players to move 2-dimensionally although brawlhalla brings something maybe more modern(?), the traversable space is now improved to higher and lower levels and is not limited on one line of movement. this brings with it room, room for hearable volume which has on one side the capability of simulating distance, which is strongly used in this case, on the other side it brings with it a certain emptiness. comparing that to street fighter II, for sure there's a certain limitation to spacial perception, probably also due to hardware limitations, but all in all this gets rounded out by memorable sounds layered on top of each other, which strike out the need of space. Also if we visualize the idea of a fight in Street fighter, it is more of a cage fight, there is no way to escape. And in this matter maybe it has not only been a limitation but also a decision to keep spacial aspect of sound out.
+==== 6.3 Dimension ====
+They are alike in dimensions, so to speak both enable the players to move 2-dimensionally although brawlhalla brings something maybe more modern(?), the traversable space is now improved to higher and lower levels and is not limited to one line of movement only. this brings with it room, room for hearable volume which has on one side the capability of simulating distance, which is strongly used in this case, on the other side it brings with it a certain emptiness. comparing that to street fighter II, for sure there's a certain limitation to spacial perception, probably also due to hardware limitations, but all in all this gets rounded out by memorable sounds layered on top of each other, which strike out the need of space. Also if we visualize the idea of a fight in Street fighter, it is more of a cage fight, there is no way to escape and in this matter maybe it has not only been a limitation but also a decision to keep spacial aspect of sound out.
+==== 6.4 Battlecries ====
 Which leads to the last sort of characteristic that we'll look at now. While Brawlhalla extents and also outplays Street Fighter in the technical aspect, still in some ways it is lacking. If we further observe this phenomena we can then find the reason. In Brawlhalla there are no recognizable battlecries, which compared to the completely voiced out Street Fighter, brings out a certain weakness so to say. It is almost monumental how timeless the simple implementation of Voices can be, which are still present even after 30 years.
+| Guile - Sonic Boom | {{ brawlhalla:guile-sonic-boom.mp3 }} |
+| Ryu/Ken - Shoryuken | {{ brawlhalla:ryuken-shoryuken.mp3 }} |