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--- the_last_of_us [2022/06/10 09:25] – [3. Comparison] jhobi
+++ the_last_of_us [2022/06/10 13:58] (aktuell) – jhobi
@@ Zeile 11: / Zeile 11: @@
 Set in the post-apocalyptic United States, the game tells the story of survivors Joel and Ellie as they work together to survive their journey across the country to find a possible cure for the modern fungal plague that has nearly decimated the entire human race.
-Trailer: [[https://www.youtube.com/watch?v=W01L70IGBgE]]
 The Last of Us received a [[the_last_of_us_part_ii|Part II]] sequel in 2020.
-===== 2. Sound Analysis =====
+Trailer:
-=== 2.1 Introduction ===
+{{youtube>W01L70IGBgE?medium}}
-Like in many other games, in The Last of Us, the player is treated like an actor walking on a stage full of props. All the characters, enemies, environments change as the player interacts with them, therefore these changes should also be reflected in the soundscape. Naughty Dog uses Systems that go hand in hand and layer sound on top of each other to create a narrative tool that allows an extremely fluid experience.
+\\ ===== 2. Sound Analysis =====
+==== 2.1 Introduction ====
+Like in many other games, in The Last of Us, the player is treated like an actor walking on a stage full of props. All the characters, enemies, environments change as the player interacts with them, therefore these changes should also be reflected in the soundscape. Naughty Dog uses Systems that go hand in hand and layer sound on top of each other to create a narrative tool that allows an extremely fluent experience.
 The overall soundscape of the game is fairly minimalistic. Of course, the technical side of it is huge but the actual variety and theme of sounds have a strict and coherent purpose. In some moments the game is stripped of almost every sound and in others, the action is enhanced through a variety of dramatic tunes, without being overloaded. The concept of subtracting and negative space is used a lot throughout the sounds of the game, a simplistic and minimal approach to achieve the exact emotions the creators want the players to have.
@@ Zeile 26: / Zeile 28: @@
 To keep this analysis in a reasonable size, I focused on the main aspects of the gameplay sounds.
-=== 2.2 Environment ===
+==== 2.2 Environment ====
-The roots of The Last of Us are based off the real world so naturally the soundscape is extremely real and authentic. This realism is especially heard in the environment and the players interaction with it. Details like different pick-up sounds for different amount of screws, different material of objects and footsteps changing depending on what kind of material the ground consists of.
+The roots of The Last of Us are based on reality so naturally the soundscape is extremely real and authentic. This realism is especially heard in the environment and the players interaction with it. Details like different pick-up sounds for different amount of screws picked up, different material of objects and footsteps changing depending on what kind of material the ground consists of.
 | Footsteps | {{ :environment_sound_footsteps_dry_wood.mp3 |}} |
@@ Zeile 39: / Zeile 41: @@
-=== 2.3 Enemies ===
+==== 2.3 Enemies ====
 Besides human enemies the bigger emphasis lies on the infected. The sound for the infected varies on the stage of the infection. The longer an infected is alive the less human like they sound. The narration is reflected in this transition.
@@ Zeile 54: / Zeile 56: @@
-=== 2.4 Communication ===
+==== 2.4 Communication ====
 Even though the sounds manage to communicate a lot through natural sounds there are still some artificial hint and feedback sounds that help and guide the player. Satisfying clicking sound in the inventory and softer hints for alerts and pop-ups.
+Hints:
 | Danger | {{ ::communication_sound_danger.mp3 |}} |
 | Tutorial pop-up | {{ :communication_sound_tutorial.mp3 |}} |
 | Button press prompt | {{ ::communication_sound_button_press_cue.mp3 |}} |
+Feedback:
 | Open inventory | {{ ::communication_sound_inventory.mp3 |}} |
 | Inside inventory | {{ ::communication_sound_inventory_open.mp3 |}} |
 | Upgrade | {{ ::communication_sound_upgrade.mp3 |}} |
-| Crafting | {{ ::communication_sound_crafting.mp3 |}} |
 | Swap weapon | {{ ::communication_sound_swap_weapon.mp3 |}} |
+The crafting sound is quite fascinating since it starts of with natural sounds and to let the player know the crafting is finished it ends with a hint sound.
+| Crafting | {{ ::communication_sound_crafting.mp3 |}} |
-=== 2.5 Personal Conclusion ===
+==== 2.5 Personal Conclusion ====
 I really like the minimalistic approach of the game sounds, it creates a very bold and confident way of creating a narrative that manages to evoke certain emotions. It’s fascinating to see that even though a game sound can almost be fully made with natural sounds there are still certain moments artificial sound is needed.