the_last_of_us
Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung | ||
the_last_of_us [2022/06/10 09:48] – jhobi | the_last_of_us [2022/06/10 13:58] (aktuell) – jhobi | ||
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Set in the post-apocalyptic United States, the game tells the story of survivors Joel and Ellie as they work together to survive their journey across the country to find a possible cure for the modern fungal plague that has nearly decimated the entire human race. | Set in the post-apocalyptic United States, the game tells the story of survivors Joel and Ellie as they work together to survive their journey across the country to find a possible cure for the modern fungal plague that has nearly decimated the entire human race. | ||
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- | Trailer: [[https:// | ||
The Last of Us received a [[the_last_of_us_part_ii|Part II]] sequel in 2020. | The Last of Us received a [[the_last_of_us_part_ii|Part II]] sequel in 2020. | ||
- | ===== 2. Sound Analysis ===== | + | Trailer: |
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+ | {{youtube> | ||
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+ | \\ ===== 2. Sound Analysis ===== | ||
==== 2.1 Introduction ==== | ==== 2.1 Introduction ==== | ||
- | Like in many other games, in The Last of Us, the player is treated like an actor walking on a stage full of props. All the characters, enemies, environments change as the player interacts with them, therefore these changes should also be reflected in the soundscape. Naughty Dog uses Systems that go hand in hand and layer sound on top of each other to create a narrative tool that allows an extremely | + | Like in many other games, in The Last of Us, the player is treated like an actor walking on a stage full of props. All the characters, enemies, environments change as the player interacts with them, therefore these changes should also be reflected in the soundscape. Naughty Dog uses Systems that go hand in hand and layer sound on top of each other to create a narrative tool that allows an extremely |
The overall soundscape of the game is fairly minimalistic. Of course, the technical side of it is huge but the actual variety and theme of sounds have a strict and coherent purpose. In some moments the game is stripped of almost every sound and in others, the action is enhanced through a variety of dramatic tunes, without being overloaded. The concept of subtracting and negative space is used a lot throughout the sounds of the game, a simplistic and minimal approach to achieve the exact emotions the creators want the players to have. | The overall soundscape of the game is fairly minimalistic. Of course, the technical side of it is huge but the actual variety and theme of sounds have a strict and coherent purpose. In some moments the game is stripped of almost every sound and in others, the action is enhanced through a variety of dramatic tunes, without being overloaded. The concept of subtracting and negative space is used a lot throughout the sounds of the game, a simplistic and minimal approach to achieve the exact emotions the creators want the players to have. | ||
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Even though the sounds manage to communicate a lot through natural sounds there are still some artificial hint and feedback sounds that help and guide the player. Satisfying clicking sound in the inventory and softer hints for alerts and pop-ups. | Even though the sounds manage to communicate a lot through natural sounds there are still some artificial hint and feedback sounds that help and guide the player. Satisfying clicking sound in the inventory and softer hints for alerts and pop-ups. | ||
+ | Hints: | ||
| Danger | {{ :: | | Danger | {{ :: | ||
| Tutorial pop-up | {{ : | | Tutorial pop-up | {{ : | ||
| Button press prompt | {{ :: | | Button press prompt | {{ :: | ||
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+ | Feedback: | ||
| Open inventory | {{ :: | | Open inventory | {{ :: | ||
| Inside inventory | {{ :: | | Inside inventory | {{ :: |
/home/wiki/wiki.pink.zhdk.ch-ssl/public_html/gamesoundopedia/data/attic/the_last_of_us.1654847330.txt.gz · Zuletzt geändert: von jhobi