Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

--- pineview_drive [2023/06/08 15:36] – [Tabelle] mkliuzko
+++ pineview_drive [2023/06/09 10:22] (aktuell) – mkliuzko
@@ Zeile 16: / Zeile 16: @@
 ==== Background ====
-The ambient background is constantly alive with eerie sounds that reminding classic 90's horror movies, however they work very well and deal great impact on player. These sounds, despite the absence of immediate threats at first, are effectively heightened in tension and anticipation. This is made for the player who expects something to come, even though nothing will probably be there.
+The ambient background is constantly alive with eerie sounds that remind classic 90's horror movies, however they work very well and deal great impact on player. These sounds, despite the absence of immediate threats at first, are effectively heightened in tension and anticipation. This is made for the player who expects something to come, even though nothing will probably be there.
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+[[https://youtu.be/s3R5IYLhKJU?t=300 | Example]]
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 ==== Sounds Effects ====
@@ Zeile 30: / Zeile 37: @@
 Your own footsteps are echoing in empty halls, floorboards creaking under your weight, and doors opening or closing with distinct sounds - all this to add the feeling of isolation.
-| Door Squeaks                |   |
+| Door Squeaks  | {{ :atm_loop_screen_door_squeaks_var2.ogg }} |
-| Ghost Breath                |   |
+| Ghost Breath  | {{ :atm_ghost_breath_01.ogg }} |
-| Knocking                    |   |
+| Knocking  | {{ :sfx_knocking_unmuffled_02.ogg }} |
-| Knocking (distant)          |   |
+| Knocking (distant)  | {{ :sfx_knocking_muffled_02.ogg }} |
-| Thunder (distant outdoors)  |   |
+| Thunder (distant outdoors)  | {{ :atm_thunder_distant_01.ogg }} |
-| Thunder (distant indoors)   |   |
+| Thunder (distant indoors)  | {{ :atm_thunder_distant_indoor_01.ogg }} |
-| Thunder (close outdoors)    |   |
+| Thunder (close outdoors)  | {{ :atm_thunder_close_02.ogg }} |
-| Thunder (close indoors)     |   |
+| Thunder (close indoors)  | {{ :atm_thunder_close_indoor_02.ogg }} |
-| Crows (Cawing)              |   |
+| Crows (Cawing)  | {{ :atm_crows_03.ogg }} |
-| Crows (Leaving)             |   |
+| Crows (Leaving)  | {{ :atm_crows_takeoff_02.ogg }} |
-| Entering the house          |   |
+| Steam (distant)  | {{ :atm_tunnel_distantsteamrelease_01.ogg }} |
-| Finding the note            |   |
-| Start of new night          |   |
-| Clown (loud)                |   |
-| Cat (loud)                  |   |
-| Swords falling              |   |
-| Steam (distant)             |   |
 ----
@@ Zeile 53: / Zeile 54: @@
 On another hand, there are stinger sounds - sudden loud noises (clown laugh, cat's loud screech etc.)
+| Entering the house  | {{ :msx_enter_house.ogg }} |
+| Finding the note  | {{ :msx_letter_01.ogg }} |
+| Start of 1st night  | {{ :msx_day_01.ogg }} |
+| Start of 10th night  | {{ :msx_day_10.ogg }} |
+| Start of 20th night  | {{ :msx_day_20.ogg }} |
+| Clown (loud)  | {{ :sfx_clown_speak_01.ogg }} |
+| Cat (loud)  | {{ :sfx_cat_scream.ogg }} |
+| Swords falling  | {{ :swords.ogg }} |
 ==== Player ====
@@ Zeile 60: / Zeile 70: @@
 The game also uses sound as a psychological trick to influence player behavior: the game plays different sounds (piano, marble bust, wooden angel figures on the stairs, growling, rumble in the other room, "PSSs" etc.), if the player turns to the source, the game will take the points from your sanity level. This mechanic forces players to ignore the sounds in the haunted house which is nearly impossible.
+==== Comparison:  Pineview Drive and Bloodborne ====
+Both Pineview Drive and Bloodborne are horror games that successfully communicate a sense of hopelessness in the face of adversity. While Bloodborne might enable the player to take up arms and fight, they are gradually made aware that they’re trapped in a vicious cycle of violence. In Pineview Drive, no combat mechanic exists in the first place. The absence of combat intensifies the feeling of vulnerability and helplessness, as players must navigate a haunted house with no means of direct confrontation.
+Both games also walk the thin line between reality and imagination, and this is especially visible in the sound aesthetic that plays a crucial role in conveying this disorienting experience. In the case of the second game, it also functions as a primary game mechanic. Specific sounds act as cues for the player to investigate potential sources, but doing so results in a loss of sanity points. Player must discern between real and imagined sounds, resisting the urge to investigate certain sources to maintain their sanity.
+~~NOTOC~~